Minstrel Traditions: Mediated Blackface in the Jazz Age

Author:   Kevin Byrne
Publisher:   Taylor & Francis Ltd
ISBN:  

9780367367640


Pages:   182
Publication Date:   15 April 2020
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Our Price $284.00 Quantity:  
Add to Cart

Share |

Minstrel Traditions: Mediated Blackface in the Jazz Age


Add your own review!

Overview

Full Product Details

Author:   Kevin Byrne
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367367640


ISBN 10:   0367367645
Pages:   182
Publication Date:   15 April 2020
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction: The Materiality and Circulation of Blackface in the Jazz Age; Chapter Two: Bert Williams and the Uprooted Bamboo Tree: ""One Live as Two, Two Live as One""; Chapter Three: Self-Rising Minstrelsy: Aunt Jemima Mediated and Live; Chapter Four: A Vast and Limited Territory: The Amateur Minstrel Industry of Publishing Houses, Playwrights, and Acting Companies; Chapter Five: Minstrelsy, On the Time: Professional Blackface Performers Travel the Country; Chapter Six: Black Musicals on Broadway: ""Back Up No'th with Me, Mammy""; Chapter Seven: And All That Followed: Performing Jazz Age Blackface in the Contemporary Moment"

Reviews

Kevin Byrne's Minstrel Traditions is an exciting addition to the flourishing studies of African American Theatre during the early years of the twentieth century. The book examines several important musicals by black artists and performers, providing careful analysis and thorough research of musicals such as Under the Bamboo Tree. The book advances the field significantly. David Krasner, Five Towns College Meticulously researched and exquisitely written, Minstrel Traditions provides an illuminating and insightful examination of racial and cultural formations in the Jazz Age. Focusing on a range of compelling (and often riotous) case studies from across popular culture, Kevin Byrne brings to life the complex, fraught, and controversial performances that simultaneously entertained and defined the United States in the 1920s and 1930s. James F. Wilson, City University of New York


Kevin Byrne's Minstrel Traditions is an exciting addition to the flourishing studies of African American Theatre during the early years of the twentieth century. The book examines several important musicals by black artists and performers, providing careful analysis and thorough research of musicals such as Under the Bamboo Tree. The book advances the field significantly. David Krasner, Five Towns College Meticulously researched and exquisitely written, Minstrel Traditions provides an illuminating and insightful examination of racial and cultural formations in the Jazz Age. Focusing on a range of compelling (and often riotous) case studies from across popular culture, Kevin Byrne brings to life the complex, fraught, and controversial performances that simultaneously entertained and defined the United States in the 1920s and 1930s. James F. Wilson, City University of New York


Kevin Byrne's Minstrel Traditions is an exciting addition to the flourishing studies of African American Theatre during the early years of the twentieth century. The book examines several important musicals by black artists and performers, providing careful analysis and thorough research of musicals such as Under the Bamboo Tree. The book advances the field significantly. David Krasner, Five Towns College Meticulously researched and exquisitely written, Minstrel Traditions provides an illuminating and insightful examination of racial and cultural formations in the Jazz Age. Focusing on a range of compelling (and often riotous) case studies from across popular culture, Kevin Byrne brings to life the complex, fraught, and controversial performances that simultaneously entertained and defined the United States in the 1920s and 1930s. James F. Wilson, City University of New York


Author Information

Kevin Byrne is an Assistant Professor of Theatre Studies in the School of Theatre, Film, and Television at the University of Arizona. He is an editorial board member of the Journal of American Drama and Theatre. His research interests include African American theatre history, theories of racial impersonation, and contemporary performance practices.

Tab Content 6

Author Website:  

Customer Reviews

Recent Reviews

No review item found!

Add your own review!

Countries Available

All regions
Latest Reading Guide

MRG2025CC

 

Shopping Cart
Your cart is empty
Shopping cart
Mailing List