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9781316607114

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'Topics include the relations between divine Providence and human freedom, classical and biblical republicanism, God's justice and God's mercy, law and Gospel, and Milton's anti-monarchical politics and the divine monarchy of Paradise Lost. While these are familiar subjects to Miltonists, Chernaik discusses them with lucidity and sound judgment, drawing on a mature knowledge of Milton's work, of the writings of his contemporaries, and of Milton criticism past and present.' Tobias Gregory, Renaissance Quarterly 'Distinctive, engaged, battling, and illuminating, a warm, empathetic intended corrective to the new orthodoxies. Unlike most modern Miltonists, Chernaik describes a Milton whom he actually likes ... Chernaik turns inward on the texts, illuminating them by reading them as a sort of internal commentary, a dialectic that reads prose against poetry, polemic against seemingly unengaged writing, Latin against English, early against late. The results are fascinating, and sometimes genuinely surprising, as unexpected connections emerge.' Thomas Corns, Bangor University 'This new book on Milton, beautifully written and strongly argued, should be read by anyone who reads, writes about, or teaches Milton, for it addresses and makes great sense of the problematic aspects and contradictions in and within Milton's writings, from his Mask and the polemical prose through Paradise Lost and Paradise Regained and Samson Agonistes. ... The range, intelligence, and grace of this powerful book are remarkable, as it grapples with so many of the problematic aspects of Milton's prose and poetry that have bothered critics over the years and that continue to puzzle and sometimes irritate the students we teach.' Achsah Guibbory, Barnard College, New York 'Topics include the relations between divine Providence and human freedom, classical and biblical republicanism, God's justice and God's mercy, law and Gospel, and Milton's anti-monarchical politics and the divine monarchy of Paradise Lost. While these are familiar subjects to Miltonists, Chernaik discusses them with lucidity and sound judgment, drawing on a mature knowledge of Milton's work, of the writings of his contemporaries, and of Milton criticism past and present.' Tobias Gregory, Renaissance Quarterly 'Distinctive, engaged, battling, and illuminating, a warm, empathetic intended corrective to the new orthodoxies. Unlike most modern Miltonists, Chernaik describes a Milton whom he actually likes ... Chernaik turns inward on the texts, illuminating them by reading them as a sort of internal commentary, a dialectic that reads prose against poetry, polemic against seemingly unengaged writing, Latin against English, early against late. The results are fascinating, and sometimes genuinely surprising, as unexpected connections emerge.' Thomas Corns, Bangor University 'This new book on Milton, beautifully written and strongly argued, should be read by anyone who reads, writes about, or teaches Milton, for it addresses and makes great sense of the problematic aspects and contradictions in and within Milton's writings, from his Mask and the polemical prose through Paradise Lost and Paradise Regained and Samson Agonistes. ... The range, intelligence, and grace of this powerful book are remarkable, as it grapples with so many of the problematic aspects of Milton's prose and poetry that have bothered critics over the years and that continue to puzzle and sometimes irritate the students we teach.' Achsah Guibbory, Barnard College, New York

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Warren Chernaik is Emeritus Professor of English, University of London. He was the founding Director of the Institute of English Studies (IES), University of London, and is now a Senior Research Fellow of IES. He is the author of The Myth of Rome in Shakespeare and his Contemporaries (Cambridge, 2011), The Cambridge Introduction to Shakespeare's History Plays (Cambridge, 2007), a study of The Merchant of Venice (2005), Sexual Freedom in Restoration Literature (Cambridge, 1995) and The Poet's Time: Politics and Religion in the Work of Andrew Marvell (Cambridge, 1983). He has also published essays on such authors as Marvell, Milton, Shakespeare, Jonson, Herbert, Traherne, Rochester, Pepys, and Behn, and has co-edited books on topics as diverse as detective fiction, changes in copyright law, and Andrew Marvell.

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