Middlebrow Modernism: Britten’s Operas and the Great Divide

Author:   Christopher Chowrimootoo
Publisher:   University of California Press
Volume:   24
ISBN:  

9780520298651


Pages:   244
Publication Date:   09 October 2018
Format:   Paperback
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

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Middlebrow Modernism: Britten’s Operas and the Great Divide


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Author:   Christopher Chowrimootoo
Publisher:   University of California Press
Imprint:   University of California Press
Volume:   24
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.363kg
ISBN:  

9780520298651


ISBN 10:   0520298659
Pages:   244
Publication Date:   09 October 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

List of Illustrations Acknowledgments 1. Middlebrow Modernism 2. Sentimentality under Erasure in Peter Grimes 3. The Timely Traditions of Albert Herring 4. The Turn of the Screw, or: The Gothic Melodrama of Modernism 5. The Burning Fiery Furnace and the Redemption of Religious Kitsch 6. Death in Venice and the Aesthetics of Sublimation Notes Bibliography Index

Reviews

...an insightful study on the elusive concept of the middlebrow in the critical reception of Benjamin Britten's stage works. ... Importantly, Chowrimootoo confronts the ambiguities inherent in conceptions of the middlebrow, yet he does not seek to resolve them. Instead, he accepts that Britten identified as both a composer who valued accessibility and public service, and as one who advocated for the serious study and interpretation of his music. * North American British Music Studies Association Reviews *


“…an insightful study on the elusive concept of the middlebrow in the critical reception of Benjamin Britten’s stage works. … Importantly, Chowrimootoo confronts the ambiguities inherent in conceptions of the middlebrow, yet he does not seek to resolve them. Instead, he accepts that Britten identified as both a composer who valued accessibility and public service, and as one who advocated for the serious study and interpretation of his music.” * North American British Music Studies Association Reviews *


Author Information

Christopher Chowrimootoo is Assistant Professor in the Program of Liberal Studies and in the Department of Music at the University of Notre Dame. 

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