Overview

Full Product Details

Author:   Craig Anderton ,  Phil O'Keefe
Publisher:   Hal Leonard Corporation
Imprint:   Hal Leonard Corporation
Dimensions:   Width: 19.20cm , Height: 0.80cm , Length: 23.50cm
Weight:   0.363kg
ISBN:  

9781540035639

ISBN 10:   1540035638
Pages:   128
Publication Date:   01 November 2018
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Awaiting stock  
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

Introduction. About This Book The Importance of the Microphone Tips and References Chapter 1. Microphone Basics Microphone Types and Technologies . Microphone Polar Patterns Key Takeaways Chapter 2. Microphone Accessories High-Pass and Low-Pass Filters Pad Button Acoustical Screens and Shields Protective Case or Pouch Pop Filters Microphone Cables Mic Stand Microphone Shock Mount Mic Preamps Mic Clips Mic Sleeves Stereo Bar Remote Control Key Takeaways Chapter 3. Microphone Connections Impedance Impedance Options Microphone Levels Sound Pressure Levels Microphone Sensitivity Preamplifiers Connecting Your Microphones Powering Condenser and Ribbon Mics Phase and Polarity Key Takeaways Chapter 4. The Home / Project Studio Microphone Cabinet Condenser Mics Ribbon Mics Dynamic Mics Outfitting the Mic Locker and Building It Up over Time Comparing Mics and Preamps Key Takeaways Chapter 5. Stereo Miking Techniques A-B (or Spaced-Pair) Stereo XY Stereo ORTF Stereo Mid-Side Stereo . Blumlein Stereo Pair Don’t Forget Omni Mics Key Takeaways . Chapter 6. Miking Specific Instruments Vocals Guitar Amps . Acoustic Guitar Rotary Speaker Cabinet Electric and Synth Bass Synth Bass Drums Horns and Saxophone Key Takeaways Chapter 7. Additional Tips Miking Synthesizers and Electronic Instruments Miking a Band The Pros and Cons of Close-Miking Get the Sound Right at the Mic Key Takeaways

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Author Information

Phil O'Keefe is a multi-instrumentalist, recording engineer/producer, and senior editor of Harmony Central. He served as a staff producer/engineer for Blonde Vinyl records and is the owner and chief engineer of Sound Sanctuary. He has worked with such artists as Voodoo Glow Skulls, Alien Ant Farm, Jules Day, Zak Claxton, Rex Smith, Jeff Fenholt, Craig Goldy, and John McGill, among many others. O'Keefe's articles and reviews have appeared in Electronic Musician, Guitar Player, Keyboard, and EQ magazine. Before moving to Harmony Central in 2005, he moderated the Music Player forums alongside such industry heavyweights as Roger Nichols, Chris Stone, Ed Cherney, George Massenberg, Bill Dooley, and Craig Anderton. Craig Anderton is an internationally recognized authority on music and technology. He has played on, produced, or mastered over 20 major label recordings, did session work in New York in the 1970s on guitar and keyboards, played Carnegie Hall, and more recently, mastered well over a hundred tracks for various artists. His onstage career spans from the 60s to current, EDM-oriented solo performances. As an author, he co-founded Electronic Musician magazine, and has written over 35 books on musical electronics and over a thousand articles. He has also lectured on technology and the arts in 10 countries, 38 U.S. states, and three languages. Craig Anderton is an internationally recognized authority on technology and music. He has toured, played Carnegie Hall, mastered hundreds of tracks, and been involved with dozens of major-label releases as a player, producer, or engineer. He's also written over thirty books (including the seminal Home Recording for Musicians) and thousands of articles, and is the co-founder of Electronic Musician magazine. Known for his ability to demystify complex subjects, Anderton has given seminars on technology and the arts in thirty-eight states, ten countries, and three languages. He lives in Nashville.

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