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9781538123034

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"Zirpolo (independent art historian) has written numerous reference works on the medieval and Renaissance periods, among them Historical Dictionary of Renaissance Art and Historical Dictionary of Baroque Art and Architecture. She brings her careful historical discernment to bear in this entry in the ""Significant Figures in World History"" series. Given the abundance of information on Michelangelo, one may ask what this book adds. The answer is that the book provides an excellent, readable overview of the master's life, in both timeline and essay form, followed by carefully curated reference entries elucidating everything from individual works of art to contemporaneous figures who intersected with Michelangelo during his long life. Zirpolo writes that the history of il terribilita's various art works is ""terribly complex, making it difficult to piece everything together in an intelligible and engaging way"" (p. vii), and yet she has managed to do just that. Zirpolo's astutely crafted entries weigh the primary source evidence and scholarly debates, providing balanced, contextualized information. A carefully selected, 30-page bibliography rounds out the book, giving readers enough resources to delve into the legacy of the great artist without getting too overwhelmed. Summing Up: Recommended. Lower-division undergraduates; general readers."

Zirpolo (independent art historian) has written numerous reference works on the medieval and Renaissance periods, among them Historical Dictionary of Renaissance Art and Historical Dictionary of Baroque Art and Architecture. She brings her careful historical discernment to bear in this entry in the Significant Figures in World History series. Given the abundance of information on Michelangelo, one may ask what this book adds. The answer is that the book provides an excellent, readable overview of the master's life, in both timeline and essay form, followed by carefully curated reference entries elucidating everything from individual works of art to contemporaneous figures who intersected with Michelangelo during his long life. Zirpolo writes that the history of il terribilita's various art works is terribly complex, making it difficult to piece everything together in an intelligible and engaging way (p. vii), and yet she has managed to do just that. Zirpolo's astutely crafted entries weigh the primary source evidence and scholarly debates, providing balanced, contextualized information. A carefully selected, 30-page bibliography rounds out the book, giving readers enough resources to delve into the legacy of the great artist without getting too overwhelmed. Summing Up: Recommended. Lower-division undergraduates; general readers.--CHOICE

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Lilian H. Zirpolo has authored a number of articles and books on Renaissance and Baroque art, including The Historical Dictionary of Renaissance Art and The Historical Dictionary of Baroque Art and Architecture. Her interests are mainly on art patronage and collecting, as well as deformities and disabilities in art and textile history. Her articles and book reviews have been published in venues such as the Gazette des Beaux-Arts, Architectura: Zeitschrift für Geschichte der Baukunst, Drawing, The Woman’s Art Journal, The Seventeenth Century Journal, Augustinian Studies, Art History, Open Inquiry Archive, and Renaissance Quarterly.

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