Overview

In the Mexican states of Puebla and Veracruz, old masked dances have survived in isolated mountain regions. These dances include wonderful masks of humans and animals, masks with beautiful, comic, or wicked faces. Created by Indigenous master carvers, mascareros, these masks and puppets appear during religious fiestas. Over 700 vivid colour photos reveal these masks and puppets in all their glory. The thoroughly researched text answers the questions about who made these beautiful works of art, who these dance characters are, and the nature of the religion they represent. The Spanish conquerors strove to convert the Indian inhabitants of Mexico to Christianity. However, these converts secretly retained important deities from earlier times to accompany Christian elements, creating a poetic blend of beliefs. Given that these indigenous peoples have suffered many injustices, the masks, puppets, and dance dramas reflect many unresolved societal tensions along with veiled wishes for divine justice. AUTHOR: Bryan Stevens began to collect Mexican masks in 1987, initially because these masks were so vivid and underscored the talents of their carvers. SELLING POINTS: Indigenous masks and puppets used in Mexican dances explored Discusses the Sierra de Puebla region, the artists, the religious contexts, and the artwork Mask and puppet artists and their style of work are identified ILLUSTRATIONS: 716 colours photographs *

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Bryan J. Stevens began to collect Mexican masks in 1987, initially because these masks were so visually attractive. Researching these masks made them seem more vivid and underscored the talents of their carvers. He and his wife, Lucy, live in York, Pennsylvania.

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