Performing Palimpsest Bodies: Postmemory Theatre Experiments in Mexico

Author:   Ruth Hellier-Tinoco
Publisher:   Intellect
ISBN:  

9781841504667


Pages:   286
Publication Date:   14 May 2019
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Performing Palimpsest Bodies: Postmemory Theatre Experiments in Mexico


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Overview

This book proposes the innovative concept of palimpsest bodies to interpret provocative theatre and performance experiments, exploring issues of cultural memory, history, transgression, and community transformation. Combined with ideas of postmemory and rememory, palimpsest bodies are inherently trans-temporal as they perform re-visions of embodied gestures, vocalized calls, and sensory experiences.   Focusing on four projects from one of Mexico’s most significant contemporary theatre companies, La Máquina de Teatro, directed by renowned artists Juliana Faesler and Clarissa Malheiros, this study documents the rigorous performances of layered, plural, and trans identities as collaborative, feminist, and queer re-visions of official histories and collective memories, using ideas of scenarios, archives, and remains. Illustrated with over 100 color photos, Performing Palimpsest Bodies will appeal to artists and scholars interested in contemporary theatre and performance studies, critical dance studies, and collective creation.  

Full Product Details

Author:   Ruth Hellier-Tinoco
Publisher:   Intellect
Imprint:   Intellect Books
Dimensions:   Width: 17.80cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.658kg
ISBN:  

9781841504667


ISBN 10:   1841504661
Pages:   286
Publication Date:   14 May 2019
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

[Hellier-Tinoco] offers an in-depth look at La Maquina de Teatro, documenting and analyzing four of the company's recent projects. . . . By shining a spotlight on La Maquina, Hellier-Tinoco through her book also calls attention to what she characterized as the 'profound and exhilarating' performance and theater happening throughout Mexico more broadly. --The Current


Author Information

Ruth Hellier-Tinoco is a professor of performing arts (music, theatre, dance) and performance studies at the University of California, Santa Barbara. As a scholar-creative artist her work explores intersecting performance practices of identity, memory, history and environments, particularly in Mexican cultural contexts, with a focus on community-engagement, power relations and playful creative experiments. She is editor of the multidisciplinary journal Mexican Studies (Estudios Mexicanos).

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