Overview

Method Acting is one of the most popular and controversial approaches to acting in the United States. It has not only shaped important schools of acting, but has been a fundamental constant of all American acting. This insightful volume explores Method Acting from a broad perspective, focusing on a point of equilibrium between the principles of the Method and its relationship to other theories of performance. David Krasner has gathered together some of the most well-known theater scholars and acting teachers to look at the Method. By concentrating on three areas of the Method - its theory, practice, and future application - the collection will serve to inform and teach us how to approach acting and acting theory in the 21st century.

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9780312223090

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"""Now, in ""Method Acting Reconsidered,"" an important new collection of essays edited by David Krasner, director of undergraduate theatre studies at Yale, Strasberg is beginning to be rehabilitated."" -- ""American Theatre"" ""Now, in ""Method Acting Reconsidered"", an important new collection of essays edited by David Krasner, director of undergraduate theatre studies at Yale, Strasberg is beginning to be rehabilitated."" -- ""American Theatre"" ""Now, in ""Method Acting Reconsidered, an important new collection of essays edited by David Krasner, director of undergraduate theatre studies at Yale, Strasberg is beginning to be rehabilitated."" -- ""American Theatre"

Now, in Method Acting Reconsidered , an important new collection of essays edited by David Krasner, director of undergraduate theatre studies at Yale, Strasberg is beginning to be rehabilitated. -- American Theatre <br>

Now, in Method Acting Reconsidered, an important new collection of essays edited by David Krasner, director of undergraduate theatre studies at Yale, Strasberg is beginning to be rehabilitated. -- American Theatre

Author Information

David Krasner is Director of Undergraduate Theater Studies at Yale University. His previous book, ""Resistance, Parody, and Double Coinsciousness in African American Theater, 1895-1910"" received the 1998 Errol Hill Award from the American Society for Theater Research.

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