Overview

How the War on Drugs is maintained through racism,authority and public opinion. From the hit television series Breaking Bad, to daily news reports, anti-drug advertising campaigns and highly publicized world-wide hunts for “narcoterrorists” such as Joaquin “El Chapo” Guzman, the drug, methamphetamine occupies a unique and important space in the public’s imagination. In Meth Wars, Travis Linnemann situates the ""meth epidemic"" within the broader culture and politics of drug control and mass incarceration. Linnemann draws together a range of examples and critical interdisciplinary scholarship to show how methamphetamine, and the drug war more generally, are part of a larger governing strategy that animates the politics of fear and insecurity and links seemingly unrelated concerns such as environmental dangers, the politics of immigration and national security, policing tactics, and terrorism. The author’s unique analysis presents a compelling case for how the supposed “meth epidemic” allows politicians, small town police and government counter-narcotics agents to engage in a singular policing project in service to the broader economic and geostrategic interests of the United States.

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9781479878697

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Reviews

Linnemann's book is a key text for understanding how moral panics about an infernal substance, and its diabolical seller, both stem from and further entrench the manifold contradictions of late capitalist society. -Antipode A cultural criminological tour de force, TravisLinnemann's Meth Wars constitutes abrilliant counterpoint to everyday assumptions about drugs, crime, andpolicing. Moving from television dramas to public service announcements, fromsmall town policing in rural America to global narcopolitics, Linnemann unpacksan insidious methamphetamine imaginary that has come to saturate contemporarysocial life. In doing so he reveals a deeper secret: if there is indeed a methepidemic, it is one of epistemic proportions. -Jeff Ferrell,author of Empire of Scrounge A scholarly page-turner, Meth Wars takes us on a journey through the cultural imaginary surrounding drug crime, policing, and punishment in the most thorough and illuminating way to date. Poetic, critical, and rigorous, Travis Linnemann frames how we 'see' meth - and how our views lead others to 'see' meth as well - through the power of misplaced drug war rhetoric. This study of whiteness, class, and privilege in drug imagery and drug wars is a profound contribution. -Michelle Brown,author of The Culture of Punishment Meth Wars interrupts official discourse on drug use in America, drawing out the relationship between methamphetamine and the politics of fear. Linnemann invites us into the methamphetamine imaginary, deftly detailing how racism, the drug war and capitalism are manifested and maintained through pop culture, policing and state power. A compelling resource on a critical subject. -Dawn Paley,author of Drug War Capitalism

Meth Wars interrupts official discourse on drug use in America, drawing out the relationship between methamphetamine and the politics of fear. Linnemann invites us into the methamphetamine imaginary, deftly detailing how racism, the drug war and capitalism are manifested and maintained through pop culture, policing and state power. A compelling resource on a critical subject. -Dawn Paley,author of Drug War Capitalism A scholarly page-turner, Meth Wars takes us on a journey through the cultural imaginary surrounding drug crime, policing, and punishment in the most thorough and illuminating way to date. Poetic, critical, and rigorous, Travis Linnemann frames how we 'see' meth - and how our views lead others to 'see' meth as well - through the power of misplaced drug war rhetoric. This study of whiteness, class, and privilege in drug imagery and drug wars is a profound contribution. -Michelle Brown,author of The Culture of Punishment A cultural criminological tour de force, Travis Linnemann's Meth Wars constitutes a brilliant counterpoint to everyday assumptions about drugs, crime, and policing. Moving from television dramas to public service announcements, from small town policing in rural America to global narcopolitics, Linnemann unpacks an insidious methamphetamine imaginary that has come to saturate contemporary social life. In doing so he reveals a deeper secret: if there is indeed a meth epidemic, it is one of epistemic proportions. -Jeff Ferrell,author of Empire of Scrounge

A scholarly page-turner, Meth Wars takes us on a journey through the cultural imaginary surrounding drug crime, policing, and punishment in the most thorough and illuminating way to date. Poetic, critical, and rigorous, Travis Linnemann frames how we 'see' meth and how our views lead others to 'see' meth as well through the power of misplaced drug war rhetoric. This study of whiteness, class, and privilege in drug imagery and drug wars is a profound contribution. -- Michelle Brown,author of The Culture of Punishment Meth Wars interrupts official discourse on drug use in America, drawing out the relationship between methamphetamine and the politics of fear. Linnemann invites us into the methamphetamine imaginary, deftly detailing how racism, the drug war and capitalism are manifested and maintained through pop culture, policing and state power. A compelling resource on a critical subject. -- Dawn Paley,author of Drug War Capitalism Contributing to scholarly debates about the political and cultural intersections of drugs, rurality, and whiteness, Meth Wars shows how meth impacts not just individuals and institutions but also imaginations. Ultimately, this is a book about challenging the reader to think beyond the widespread justifications for sustaining the war on drugs and the popularized arguments for ending it. Questioning both leftwing and rightwing sensibilities on drugs, Linnemann provokes the reader into imagining a different worldone beyond the meth imaginary. -- Jennifer Carlson,Assistant Professor of Sociology, University of Arizona Linnemanns book is a key text for understanding how moral panics about an infernal substance, and its diabolical seller, both stem from and further entrench the manifold contradictions of late capitalist society. * Antipode * A cultural criminological tour de force, Travis Linnemanns Meth Wars constitutes a brilliant counterpoint to everyday assumptions about drugs, crime, and policing. Moving from television dramas to public service announcements, from small town policing in rural America to global narcopolitics, Linnemann unpacks an insidious methamphetamine imaginary that has come to saturate contemporary social life. In doing so he reveals a deeper secret: if there is indeed a meth epidemic, it is one of epistemic proportions. -- Jeff Ferrell,author of Empire of Scrounge

A cultural criminological tour de force, Travis Linnemann's Meth Wars constitutes a brilliant counterpoint to everyday assumptions about drugs, crime, and policing. Moving from television dramas to public service announcements, from small town policing in rural America to global narcopolitics, Linnemann unpacks an insidious methamphetamine imaginary that has come to saturate contemporary social life. In doing so he reveals a deeper secret: if there is indeed a meth epidemic, it is one of epistemic proportions. -Jeff Ferrell,author of Empire of Scrounge A scholarly page-turner, Meth Wars takes us on a journey through the cultural imaginary surrounding drug crime, policing, and punishment in the most thorough and illuminating way to date. Poetic, critical, and rigorous, Travis Linnemann frames how we 'see' meth - and how our views lead others to 'see' meth as well - through the power of misplaced drug war rhetoric. This study of whiteness, class, and privilege in drug imagery and drug wars is a profound contribution. -Michelle Brown,author of The Culture of Punishment Meth Wars interrupts official discourse on drug use in America, drawing out the relationship between methamphetamine and the politics of fear. Linnemann invites us into the methamphetamine imaginary, deftly detailing how racism, the drug war and capitalism are manifested and maintained through pop culture, policing and state power. A compelling resource on a critical subject. -Dawn Paley,author of Drug War Capitalism

Author Information

Travis Linnemann is Associate Professor of Sociology, Kansas State University. Among other works, he is the author of our Meth Wars: Police, Media, Power and coauthor of Media and Crime in the US (Sage) and coeditor of our Ghost Criminology: The Afterlife of Crime and Punishment, and he is coeditor-in-chief of Crime, Media, Culture.

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