Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s

Author:   Benjamin R. Levy (Associate Professor of Music, Associate Professor of Music, University of Santa Barbara)
Publisher:   Oxford University Press Inc
ISBN:  

9780199381999


Pages:   304
Publication Date:   02 November 2017
Format:   Hardback
Availability:   To order   Availability explained
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Metamorphosis in Music: The Compositions of György Ligeti in the 1950s and 1960s


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Author:   Benjamin R. Levy (Associate Professor of Music, Associate Professor of Music, University of Santa Barbara)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 15.70cm , Height: 2.50cm , Length: 23.60cm
Weight:   0.581kg
ISBN:  

9780199381999


ISBN 10:   0199381992
Pages:   304
Publication Date:   02 November 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Levy points out that Ligeti was not only a composer of music for traditional instruments but also composed several electronic works and was considered somewhat of an authority on electronic music. Levy gives many examples of Ligeti's music and, more important, the sketches and thought processes Ligeti went through to create new works. The music examples show traditional and 21st-century notational techniques, and it is refreshing to see the sketches of Ligeti's music and the unique way he notated his ideas for musical compositions. --Choice


Levy points out that Ligeti was not only a composer of music for traditional instruments but also composed several electronic works and was considered somewhat of an authority on electronic music. Levy gives many examples of Ligeti's music and, more important, the sketches and thought processes Ligeti went through to create new works. The music examples show traditional and 21st-century notational techniques, and it is refreshing to see the sketches of Ligeti's music and the unique way he notated his ideas for musical compositions. * Choice *


Author Information

Benjamin R. Levy is an Assistant Professor of Music Theory at the University of California, Santa Barbara. He specializes in twentieth-century and contemporary music and has published on composers including Ligeti, Xenakis, and Feldman. He received the Society for Music Theory's Emerging Scholar Award in 2011.

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