Overview

The end of the Qing dynasty in China saw an unprecedented explosion of print journalism. By the turn of the twentieth century, not only had Chinese-owned newspapers become more influential than anyone could have anticipated, but it was the supposedly frivolous xiaobao, the “little” or “minor” papers, that captivated and empowered the public. Merry Laughter and Angry Curses reveals how the late-Qing-era tabloid press became the voice of the people. As periodical publishing reached a fever pitch, tabloids had free rein to criticize officials, mock the elite, and scandalize readers. Tabloid writers produced a massive amount of anti-establishment literature, whose distinctive humour and satirical style were both potent and popular. This book shows the tabloid community to be both a producer of meanings and a participant in the social and cultural dialogue that would shake the foundations of imperial China and lead to the 1911 Republican Revolution.

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9780774823395

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Reviews

Juan Wang surprises us by taking us back to Shanghai at the end of the Qing dynasty and showing that not everyone was swept up in the romance of reform. While a few were striking heroic poses and claiming to change the world, others were laughing at the absurdity of life, the folly of ambition, and the vanity and deceit of politicians. The 1911 Revolution has never looked less revolutionary, or more real. - Timothy Brook, author of The Troubled Empire: China in the Yuan and Ming Dynasties Illuminating and endlessly entertaining. Juan Wang does a marvelous job of showing how the tabloids that burst on the scene in Shanghai at the turn of the last century influenced the main political and historical developments of the late Qing. With a stylistic repertoire that included irony, mockery, gossip, sarcasm, and biting humor, these trendy publications, she argues convincingly, did much to prepare the way, intellectually and psychologically, for the demise of the dynasty. - Paul A. Cohen, author of Speaking to History: The Story of King Goujian in Twentieth-Century China

Juan Wang surprises us by taking us back to Shanghai at the end of the Qing dynasty and showing that not everyone was swept up in the romance of reform. While a few were striking heroic poses and claiming to change the world, others were laughing at the absurdity of life, the folly of ambition, and the vanity and deceit of politicians. The 1911 Revolution has never looked less revolutionary, or more real. - Timothy Brook, author of The Troubled Empire: China in the Yuan and Ming Dynasties

Author Information

Juan Wang is an independent scholar of Chinese history.

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