Overview

This edited volume is a sequel to, and a development of, The Long Aftermath: Cultural Legacies of Europe at War, 1936–2016 (2016). It focuses on the six major European countries and states that remained officially neutral throughout the Second World War, namely Ireland, Portugal, Spain, Sweden, Switzerland, and the Vatican. Its transnational, comparative, and interdisciplinary approach addresses complex questions pertaining to collective remembrance, national policies and politics, and intellectual as well as cultural responses to neutrality during and after the conflict. The contributions are from a broad range of scholars working across the disciplines of history, literature, film, media, and cultural studies. Their thought-provoking chapters challenge many assumptions about neutrality in the post-war European and global context, thereby filling a gap in the existing scholarship. Common themes that run through the volume include the intertwined and dynamic links between neutrality and moral responsibility during and after the Second World War, the importance of memory politics and popular culture in shaping collective memories, and the impact of the Holocaust in shifting traditional perspectives on neutrality since the 1990s. This volume will be of interest to undergraduates, postgraduates, scholars interested in the field of memory studies, as well as non-specialist readers.

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9780367715175

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Manuel Bragança is an Assistant Professor in the School of Languages, Cultures and Linguistics at University College Dublin. His publications include The Long Aftermath (2016, with Peter Tame), Ego-Histories of France and the Second World War (with Fransiska Louwagie, 2018), and Hitler’s French Literary Afterlives (2019). Peter Tame is an independent researcher, specialising in twentieth-century French literature and ideology. His principal publications include The Ideological Hero (1998), Isotopias: Places and Spaces in French War Fiction of the Twentieth and Twenty-First Centuries (2015), Mnemosyne and Mars (2013), and The Long Aftermath (2016).

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