Overview

As one of the most influential contemporary film scholars, Linda Williams brought her critical feminist lens to some of society’s most maligned and underappreciated film genres. Melodrama as Provocateur showcases what was to be Williams's last project in which, insisting on melodrama as a cross-generic, cross-media mode, she investigates the divergence between French and American attitudes to film melodrama. A diverse group of scholars respond to her provocations, rethinking melodrama’s transnational, transmedia histories and potential futures. Their contributions examine how melodrama became, as Williams argues, the default mode of contemporary media, and demonstrate how it plays an increasingly powerful role in public discourse and political rhetoric today.

Full Product Details

Author:   Linda Williams ,  Christine Gledhill ,  Laura Horak ,  Elisabeth R. Anker
Publisher:   Duke University Press
Imprint:   Duke University Press
Weight:   0.572kg
ISBN:  

9781478033691

ISBN 10:   147803369
Pages:   342
Publication Date:   21 April 2026
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Not yet available  
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Table of Contents

Introduction / Christine Gledhill, Laura Horak, and Elisabeth R. Ander 1 Part I. Provocations 1. The Fortunes of Melodrama in France and America; or, Why Melodrama Is Still Important / Linda Williams 15 Part II. Refiguring Melodrama’s Histories as Transnational/Transmedial Form 2. On Shifting Ground: Melodrama’s Transcultural, Transmedial, and Transhistorical Genesis / Matthew Buckley 65 3. Hollywood’s Export to the World: Melodramas of Colonial Conquest / Jane M. Gaines 81 4. Feeling Our Way: Melodrama and Emotional Engagement / E. Deidre Pribram 101 5. Strip Thinking: Forms of Intermittent Pictorialization / Carolyn Williams 119 6. “And We Wept, Precious”: Motion Capture and Melodrama / Carla Marcantonio 137 Part III. Melodrama’s Fortunes in France and America: Eighteenth to Twenty-First Century 7. Seeking Sisterhood: French Melodrama, American Cinema, and the Case of Les deux orphelines / Victoria Duckett 151 8. Searching for Melodrama in French Versus American Cinema, 1908–1912 / Richard Abel 168 9. The Lost World: Le Silence est d’or; or, French (Mis)Recognition of a MÉlodrame That Dares Not Speak Its Name / Charles-Antoine Courcoux 182 10. “Grab ’Em by the Pussy”: Donald Trump and the MAGA Melodrama / Elisabeth R. Anker 201 11. Trans Melodramas / Laura Horak 219 Part IV. Aesthetics and Politics of Emotion 12. Falling in Love and in Art: The Diva Documentary / Dolores McElory 243 13. Melodrama as Default Mode of Popular Culture: P!nk’s Album Trustfall (2023) / Martin Shingler 260 14. Emotional Legibility: Modernity, Melodrama, and Ambivalent Gender Justice in Bombay Cinema, 1930s–1950s / Ira Bhaskar 272 15. From My Sister’s Bedside: Life and Death in the Shadow of Blossoms Shanghai / Zhang Zhen 293 Acknowledgments 311 Contributors 313 Index 317

Reviews

“Williams”s Melodrama as Provocateur is a comparative history of melodrama in two societies on both sides of the Atlantic. This collection changes the way we look at contemporary fictional production and challenges the dichotomy between elite and mass culture. It argues against this academic tradition and defends the idea that melodrama is the central form of American fiction, and more broadly of democratic cultures, found in most fictional cinemas around the world.”—Geneviève Sellier, coauthor of The Battle of the Sexes in French Cinema, 1930–1956

Author Information

Linda Williams (1946–2025) was Professor of Film Studies and Rhetoric at the University of California, Berkeley. She authored and edited several books, including Screening Sex and Playing the Race Card. She received the Outstanding Achievement Award from the British Association of Film, Television and Screen Studies. Christine Gledhill is Visiting Professor of Cinema Studies at the University of Leeds. Laura Horak is Professor of Film Studies at Carleton University. Elisabeth R. Anker is Professor of American Studies and Political Science and Director of Film Studies at The George Washington University.

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