Overview

Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the notion of what Douglas Sirk termed the ""impossible situation"" in melodrama, such as impasses in sexual relations that are not simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk's prompt. His analysis hones in on melodrama's original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven's opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley novels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it resistant to normative forms of value and a powerful tool for creating new potentials.

Full Product Details

9780822361756

Table of Contents

Reviews

Goldberg achieves a greater, more nuanced understanding of melodrama's potential for artistic and philosophical expression, as well as its unique importance for the study of media, gender, race, and sexuality. -- Matthew J. M. Grant * Film Criticism * Apropos of his homo-topics, Goldberg writes beautifully, in prose vulnerable and oppositional that elevates academic vernacular to a higher aesthetic plane.... Lucky for us, Goldberg's decided we can't have our Hitchcock without our Highsmith, and aren't they a lovely pair. He writes about music in Hitchcock (something rarely considered) and explores how Highsmith thematizes music in her novels.... [Y]ou will trust Goldberg's fast-paced, suspenseful ekphrasis and delight in reliving these extraordinary reversals on the page. -- Maxe Crandall * Lambda Literary Review *

Apropos of his homo-topics, Goldberg writes beautifully, in prose vulnerable and oppositional that elevates academic vernacular to a higher aesthetic plane.... Lucky for us, Goldberg's decided we can't have our Hitchcock without our Highsmith, and aren't they a lovely pair. He writes about music in Hitchcock (something rarely considered) and explores how Highsmith thematizes music in her novels.... [Y]ou will trust Goldberg's fast-paced, suspenseful ekphrasis and delight in reliving these extraordinary reversals on the page. -- Maxe Crandall * Lambda Literary Review * Goldberg achieves a greater, more nuanced understanding of melodrama's potential for artistic and philosophical expression, as well as its unique importance for the study of media, gender, race, and sexuality. -- Matthew J. M. Grant * Film Criticism * Students of melodrama have long been drilled in the term's literal meaning: music + drama. But before Jonathan Goldberg's Melodrama, few have had the chance to take the music seriously. With a rare combination of musical expertise and critical acumen, Goldberg puts the pieces together in this book. . . . Exceptional. . . . -- Ned Schantz * Crticism * Melodrama offers a distinctively queer theoretical contribution to the extensive scholarly work on melodrama in film and literary studies. The book is also a form of critical address that seeks to think with works of art the author clearly identifies with and also identifies as practicing a homo-aesthetics that traverses genres, media, and time. -- Victoria Hesford * GLQ *

Jonathan Goldberg is always interesting and always incisive. In this wide-ranging and powerfully revisionist study he tracks the melodramatic form across music, film, fiction, and television, from Fidelio to The Wire. His suggestive readings show how melodrama s rhetoric of moral peril generates queer energy and brings about 'an aesthetics of the impossible situation.' --Michael Warner, author of Publics and Counterpublics

Author Information

Jonathan Goldberg is Arts and Sciences Distinguished Professor of English at Emory University and the author of several books, most recently Strangers on a Train: A Queer Film Classic. He is also the author of Willa Cather and Others and editor of Queering the Renaissance, both also published by Duke University Press. 

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available