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OverviewFull Product DetailsAuthor: Michael S. Richardson, M.D.Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.453kg ISBN: 9781138630543ISBN 10: 1138630543 Pages: 186 Publication Date: 30 November 2020 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsChapter 1: German Opera, the Rediscovery of the Middle Ages, and the Building of a Chapter 2: Medieval Song I: Diegetic Portrayals of Minnesang in Weber’s Euryanthe and Wagner’s Chapter 3: Medieval Song II: Folk Song and the Lied in Schubert’s Fierrabras Chapter 4: Christianity: Church Music as a Signifier of “Pastness” in Schumann’s Genoveva Chapter 5: Chivalry: Masculinity and Nation in Marschner’s Der Templer und die Jüdin and Wagner’s Chapter 6: The Drive Toward Unification, Die Meistersinger von Nürnberg, and ModernReviewsAuthor InformationMichael Richardson completed his PhD in Music History and Theory from Stony Brook University, USA in 2015. He received a DAAD grant to conduct dissertation research in Germany for the 2012/13 academic year under the guidance of Annette Kreutziger-Herr. His research interests include late eighteenth- and nineteenth-century German, French, and Russian opera, nineteenth-century European folklorism and nationalism, medievalism and medieval music reception. He has given talks at a number of domestic and international conferences, including at AMS Milwaukee in 2014, Oxford University, and St. Petersburg, Russia. Tab Content 6Author Website:Countries AvailableAll regions |