Overview

Essays on aspects of early drama. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic mystery cycles, and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The articles in this fortieth volume engage with the key communities for early theatre: royalty, city and household, and religious institutions. Topics include the Royal Entry of Elizabeth Woodville into Norwich (1469); Henry VIII's Robin Hood entertainment for Catherine of Aragon; the sun's contribution to stage effects in the York Corpus Christi Play: the engagement with local worthies in Mankind; and the convent drama of Huy, in the Low Countries. Contributors: Aurelie Blanc, Philip Butterworth, Clare Egan, John Marshall, Olivia Robinson, Michael Spence, Meg Twycross.

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9781843845287

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SARAH CARPENTER is Honorary Fellow in English Literature, School of Literatures, Languages and Cultures, University of Edinburgh. ELISABETH DUTTON is Professor of Medieval English at Fribourg, Switzerland. MEG TWYCROSS is professor Emeritus of English Medieval Studies at University of Lancaster GORDON L. KIPLING is Emeritus Professor of English Literature, UCLA, Los Angeles. MEG TWYCROSS is professor Emeritus of English Medieval Studies at University of Lancaster OLIVA ROBINSON is Lecturer in Late Medieval English at the University of Birmingham. JOHN MARSHALL is a Senior Research Fellow in Theatre at the University of Bristol.

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