Media Audiences: Television, Meaning and Emotion

Author:   Kristyn Gorton
Publisher:   Edinburgh University Press
ISBN:  

9780748624171


Pages:   192
Publication Date:   30 September 2009
Format:   Hardback
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

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Media Audiences: Television, Meaning and Emotion


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Full Product Details

Author:   Kristyn Gorton
Publisher:   Edinburgh University Press
Imprint:   Edinburgh University Press
Dimensions:   Width: 13.80cm , Height: 1.60cm , Length: 21.60cm
Weight:   0.343kg
ISBN:  

9780748624171


ISBN 10:   0748624171
Pages:   192
Publication Date:   30 September 2009
Audience:   College/higher education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   Temporarily unavailable   Availability explained
The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you.

Table of Contents

Introduction: why study television?; Part One: Theoretical Background; 1, 'Desperately Seeking the Audience': Models of Audience Reception; 2, Personal Meanings, Fandom & Sitting Too Close to the Television; 3, Global Meanings and Trans-cultural Understandings of 'Dallas'; 4, Theorising Emotion and Affect: Feminist Engagements; 5, Theorising Emotion: Television & Film Theory; Part Two: Case Studies; 6, A Sentimental Journey: Writing, Emotion & Television; 7, 'There's No Place Like Home': Emotional Exposure, Excess and Empathy on TV; 8, Emotional Rescue: 'Sopranos', 'ER' and 'State of Play'; 9, Feminising Television: The Mother Role in 'Six Feet Under' and 'Brothers & Sisters'; 10, Journey and Jeopardy: A Small-Scale Case Study of Emotion in the UK/Irish Television Soap Industry

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Author Information

Dr Kristyn Gorton is a Lecturer in the Department of Theatre, Film and Television at the University of York. She is the author of Critical Scenes of Desire in Twentieth-Century Fiction (2006) and Theorising Desire: From Freud to Feminism to Film (2007). She has published articles in the Journal of British Cinema and Television, Dalhousie French Studies, Studies in European Cinema and Diegesis.

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