|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Peter Stanfield , Richard MaltbyPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.410kg ISBN: 9780813550626ISBN 10: 0813550629 Pages: 248 Publication Date: 15 June 2011 Audience: College/higher education , Tertiary & Higher Education Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction : yours till the boys come home Position papers : in defense of pulp movies A genealogy of pulp : Black mask to Mickey Spillane A world of small insanities : the critical reception of Kiss me deadly American primitive : Samuel Fuller's pulp politics Authenticating pulp : Jim Thompson adaptations and neo-noir Conclusion : hiding out in cinemasReviewsStanfield's vivid prose, his attention to intellectual subtlety, and his grasp of large cinematic issues make for a very smart book that breaks new ground in its engagement with postwar American culture and criticism. --R. Barton Palmer author of Hollywood's Dark Cinema: The American Film Noir (08/24/2010) Stanfield's vivid prose, his attention to intellectual subtlety, and--R. Barton Palmer author of Hollywood's Dark Cinema: The American Film Noir (08/24/2010) Stanfield''s vivid prose, his attention to intellectual subtlety, and--R. Barton Palmer author of Hollywood's Dark Cinema: The American Film Noir (08/24/2010) Author InformationPeter Stanfield is a reader in film studies at the University of Kent, U.K. He is coeditor of Mob Culture: Hidden Histories of the American Gangster Film and ""Un-American"" Hollywood: Politics & Film in the Blacklist Era (both Rutgers University Press). Tab Content 6Author Website:Countries AvailableAll regions |