Max Reger and Karl Straube: Perspectives on an Organ Performing Tradition

Author:   Christopher Anderson
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138246362


Pages:   452
Publication Date:   06 March 2017
Format:   Paperback
Availability:   In Print   Availability explained
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Max Reger and Karl Straube: Perspectives on an Organ Performing Tradition


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Author:   Christopher Anderson
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9781138246362


ISBN 10:   1138246360
Pages:   452
Publication Date:   06 March 2017
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Preface; Introduction; Reger, Straube, and the organ: aspects of the relationship, 1898-1916: Max Reger, the 'potent genius'; Karl Straube, the 'scholarly intelligence'; Reger, Straube, and the beginnings of collaboration; Reger's music and Straube's musicianship, 1898-1918: Questions and evidence; Straube's musical sense and his playing of Reger; Issues of influence; Reger's music under Straube's editorship, 1903-38: Johann Sebastian Bach: Schule des Triospiels (1903); Max Reger: Drei Orgelstücke op. 59/7-9 (1912); Max Reger: Präludien und Fugen (1919); Max Reger: Phantasie über den Choral 'Ein feste Burg' op. 27 (1938); Karl Matthaei: Vom Orgelspiel; 'Lighter paper for lady cigarette smokers': thoughts on a complete Reger edition; Reger's music at the Leipzig Conservatory and Church Music Institute, 1907-48: Reger and Straube: relations to Leipzig; 'The soul of the German people': Straube and a nationalist organ repertory; Teaching and performance within Straube's Leipzig curriculum; The Leipzig Conservatory organ and the implications of its history; Appendices; Bibliography; Index.

Reviews

Winner of the 2006 Max B. Miller Book Prize, awarded by The Organ Library of the American Guild of Organists at Boston University, USA. ''This is a stupendous book. It is 434 pages of highest quality research and scholarship, presented in a very readable way. The printing is of the best standard, too... This book is a must for all serious students of organ composition and performance...' The Organ '... we should be thankful that this major work, the first to look at the musical relationship between the two men, is in English... It is an important achievement..' Church Music Quarterly


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Christopher Anderson

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