|
|
|||
|
||||
OverviewIn 1944, members of the Sonderkommando—the “special squads,” composed almost exclusively of Jewish prisoners, who ensured the smooth operation of the gas chambers and had firsthand knowledge of the extermination process—buried on the grounds of Auschwitz-Birkenau a series of remarkable eyewitness accounts of Nazi genocide. This careful and penetrating study examines anew these “Scrolls of Auschwitz,” which were gradually recovered, in damaged and fragmentary form, in the years following the camp’s liberation. It painstakingly reconstructs their historical context and textual content, revealing complex literary works that resist narrow moral judgment and engage difficult questions about the limits of testimony. Full Product DetailsAuthor: Nicholas Chare , Dominic WilliamsPublisher: Berghahn Books Imprint: Berghahn Books Dimensions: Width: 15.20cm , Height: 1.60cm , Length: 22.90cm Weight: 0.526kg ISBN: 9781782389989ISBN 10: 1782389989 Pages: 264 Publication Date: 01 December 2015 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments Preface Introduction: Matters of Testimony Chapter 1. Matters of History Chapter 2. Zalman Gradowski: Literature in the Death Factory Chapter 3. Scattered Selves: The Stories of Leyb Langfus Chapter 4. Final Arrangements: Zalman Lewental’s Histories of Resistance Chapter 5. Characters and Letters: Chaim Herman and Marcel Nadjary Chapter 6. The Camera Eye: Four Photographs from Birkenau Conclusion: Crossing the Circle of Flame Appendix IndexReviewsThis is a major book that changes the field. It is a brilliant and original work of superb historical research and profoundly affecting cultural analysis. * Griselda Pollock, University of Leeds Author InformationNicholas Chare is Associate Professor of Art History at the Université de Montréal. He is the author of Auschwitz and Afterimages: Abjection, Witnessing and Representation and After Francis Bacon: Synaesthesia and Sex in Paint, and the co-editor, with Dominic Williams, of Representing Auschwitz: At the Margins of Testimony. Tab Content 6Author Website:Countries AvailableAll regions |
||||