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OverviewFull Product DetailsAuthor: Mary Shelley , Michelle FaubertPublisher: Broadview Press Ltd Imprint: Broadview Press Ltd Dimensions: Width: 14.00cm , Height: 1.00cm , Length: 21.60cm Weight: 0.287kg ISBN: 9781554812271ISBN 10: 1554812275 Pages: 208 Publication Date: 29 August 2017 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsAwknowledgements Introduction Mary Shelley: A Brief Chronology A Note on the Text Mathilda Appendix A: The Romantic-era Suicide Debate From William Godwin’s An Enquiry Concerning Political Justice, and Its Influence on General Virtue and Happiness (1793) From David Hume’s Essays on Suicide and the Immortality of the Soul (1793) From William Rowley’s A Treatise on Female, Nervous, Hysterical … Diseases (1788) From John Francis’ “Sermon III. On Self-Murder” (1749) From Johann Wolfgang von Goethe’s The Sorrows of Young Werther (1774) From Lord Byron’s Manfred (1817) William Wordsworth’s “The Complaint of a Forsaken Indian Woman” (1798) Appendix B: Family Resemblances Full-detail transcription from Mary Shelley’s manuscript of “Mathilda” (1819) From Mary Shelley’s “The Fields of Fancy” (1819) From Mary Shelley’s “The Mourner” (1830) From Mary Shelley’s Frankenstein (1818) From Mary Wollstonecraft’s Mary, A Fiction (1788) From Mary Wollstonecraft’s The Wrongs of Woman, or Maria (1798) From Mary Wollstonecraft’s “Cave of Fancy” (composed 1787; published 1798) Appendix C: Incest, the Gothic, Literary Forebears From Percy Bysshe Shelley’s The Cenci (1819) From Percy Bysshe Shelley’s Laon and Cythna (1818) From Vittorio Alfieri’s Myrrha (1815) From Matthew Lewis’ The Monk (1796) From Horace Walpole’s The Castle of Otranto (1764) Appendix D: Biographical Context: Shelley’s Letters and Journals Letter from Godwin to P. B. Shelley on Fanny Imlay’s suicide (1816) From Harriet Shelley’s suicide letter (1816) Letter by Mary Shelley on William Shelley’s final illness (1819) William Godwin’s letter to Mary Shelley on her son’s death (1819)ReviewsThe Broadview Press edition of Mathilda fills a gap in Romantic studies. The long-suppressed work (Godwin refused to return the manuscript) wasn't published until 1959, and its immediate critical reception was almost entirely biographical. Michelle Faubert's astute introduction to this new edition offers a scrupulous account of the work's critical reception and opens new possibilities for understanding what she calls a 'purgatorial text.' The judicious appendices, a hallmark of Broadview Editions, situate Shelley's novella in the contexts of its immediate intertexts, of its central place in contemporaneous suicide debates, and, crucially, of representations of incest and the Gothic. A paperback edition makes a hitherto neglected text widely available. The sophisticated editorial care evident throughout ensures that this will also serve as the standard scholarly edition. --Alan Vardy, Hunter College, City University of New York Michelle Faubert's beautifully edited version of Mathilda is the first widely available edition to come from a transcription of Shelley's original 1819 fair copy. Faubert's lucid and elegant introduction situates Mathilda in the context of Shelley's earlier Frankenstein (1818) and later novella The Mourner (1830) and discusses its troubled publication history and recent critical reception. Faubert provides a wide range of well-chosen supplementary material to complement both novice and returning readers' appreciation for and study of Mathilda. This edition should become the standard classroom text of Shelley's important, engaging, and notorious second novel. --Katherine Montwieler, University of North Carolina Wilmington The Broadview Press edition of Mathilda fills a gap in Romantic studies. The long-suppressed work (Godwin refused to return the manuscript) wasn't published until 1959, and its immediate critical reception was almost entirely biographical. Michelle Faubert's astute introduction to this new edition offers a scrupulous account of the work's critical reception and opens new possibilities for understanding what she calls a 'purgatorial text.' The judicious appendices, a hallmark of Broadview Editions, situate Shelley's novella in the contexts of its immediate intertexts, of its central place in contemporaneous suicide debates, and, crucially, of representations of incest and the Gothic. A paperback edition makes a hitherto neglected text widely available. The sophisticated editorial care evident throughout ensures that this will also serve as the standard scholarly edition. --Alan Vardy, Hunter College, City University of New York Michelle Faubert's beautifully edited version of Mathilda is the first widely available edition to come from a transcription of Shelley's original 1819 fair copy. Faubert's lucid and elegant introduction situates Mathilda in the context of Shelley's earlier Frankenstein (1818) and later novella The Mourner (1830) and discusses its troubled publication history and recent critical reception. Faubert provides a wide range of well-chosen supplementary material to complement both novice and returning readers' appreciation for and study of Mathilda. This edition should become the standard classroom text of Shelley's important, engaging, and notorious second novel. --Katherine Montwieler, University of North Carolina Wilmington The editor writes with a clear sense of hope that the text may find new readers thanks to this publication. I share her optimism ... Overall a superb edition that I hope will indeed breathe new life into the oft-forgotten Mathilda and her haunting tale. -- Anna Mercer, Romantic Circles Author InformationMichelle Faubert is Associate Professor of English at the University of Manitoba. She is the editor of the Broadview Edition of Mary Wollstonecraft’s Mary, a Fiction and Maria. Tab Content 6Author Website:Countries AvailableAll regions |