Overview

A. is an amateur translator, living alone in an unforgiving, late-capitalist metropolis. Adrift and burdened by debt following a medical trauma, she makes rent caring for a young boy who is not and could never be her own. Her nights are spent on the dance floor, chasing spontaneous connection. There, she encounters N., who shares her numbed state and sometimes her bed. Among N.'s meager possessions, A. comes across a slim book about an unnamed foreign town of disappearing boys. The book, Field Notes, documents the stories of a community of mothers who assemble to mourn their missing sons together. A. is transfixed by this collective chorus of primal grief, the mothers' preternatural strength, and their intuitive care for one another. When a near-assault stuns A. out of her inertia, she takes off for the city where Field Notes was written in search of its author and the end of his story. But A.'s digging leads her instead to the traces of a murdered poet, a mysterious woman whose legacy will intersect unexpectedly and pivotally with A.'s own life. Poignant and profoundly humane, Mass Mothering is told through layered voices, written fragments, and recorded testimonies. It is a luminous story of the mutuality of grief, the aftershocks of violence in a globalized era, and the world-bending force of a mother's love.

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9781250392619

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Reviews

""Mass Mothering, set in an unnamed country and narrated by an unnamed woman, nonetheless gives precise names to a variety of losses--of vanished sons and never-to-exist children, of a state's refuge, of grieving mothers and one witness. Sarah Bruni has written an exquisite, wrenching novel."" --Teddy Wayne, author of The Winner

""A luminous parable on mothering in an era of state violence. This moving novel examines, at a refreshing slant, enduring questions about mothering sons, and how mothers respond to each other's needs during a perilous time for the survival of any son into adulthood. Bruni has written a profound, deeply imagined novel that both addresses and transcends the chaos of our present moment."" --Idra Novey, author of Take What You Need ""Mass Mothering is a deft and beautiful novel, a masterwork for post-empire American literature. Following a translator who discovers a posthumous and unfinished book based on the recorded testimonies of mothers grieving the disappearance of their boys, Sarah Bruni invites us to a journey akin to translating memory itself. In graceful and atmospheric prose, she has created an essential novel for our times, one in which the ability to separate truths is both an act of struggle and defiance. A heart wrenching, tenacious, and radical accomplishment."" --Michael Zapata, author of The Lost Book of Adana Moreau ""Mass Mothering is not only a testament to women's courage and resilience in the face of horrific injustice but a propulsive, intratextual mystery worthy of Bolaño. Bruni writes grief and euphoria, alienation and interconnection, violence and tedium with elegance and lucidity. A timeless and timely novel that dares you to practice radical care, to be braver."" --Darrow Farr, author of The Bombshell ""Different mysteries coalesce: Who is the author of an unfinished book about disappeared sons? Where have they gone? And why do the mothers continue to take care of their children even when they are gone? Mass Mothering is a beautiful novel about the importance of really seeing--that is, the pain of bearing witness."" --Yuri Herrera, author of Season of the Swamp ""Mass Mothering, set in an unnamed country and narrated by an unnamed woman, nonetheless gives precise names to a variety of losses--of vanished sons and never-to-exist children, of a state's refuge, of grieving mothers and one witness. Sarah Bruni has written an exquisite, wrenching novel."" --Teddy Wayne, author of The Winner

Author Information

Sarah Bruni is the author of The Night Gwen Stacy Died. A graduate of the MFA program at Washington University in St. Louis with a master's in Latin American studies from Tulane University, she has taught English and writing classes in New York and St. Louis and volunteered as a writer-in-schools in San Francisco and Montevideo, Uruguay. Her fiction has appeared in Boston Review, and her translations have appeared in The Buenos Aires Review. She lives in Chicago with her family.

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