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OverviewFull Product DetailsAuthor: Theresa Coletti , Ruth Mazo KarrasPublisher: University of Pennsylvania Press Imprint: University of Pennsylvania Press Edition: illustrated edition Dimensions: Width: 15.20cm , Height: 2.30cm , Length: 22.90cm Weight: 0.683kg ISBN: 9780812238006ISBN 10: 0812238001 Pages: 360 Publication Date: 08 July 2004 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations Preface Introduction 1. The Drama of Saints 2. Some East Anglian Magdalenes 3. Mystic and Preacher 4. Gender and the Anthropology of Redemption 5. Bodies, Theater, and Sacred Mediations 6. Conclusion Abbreviations Notes Works Cited IndexReviewsTheresa Coletti's book, eagerly awaited, does not disappoint. -Speculum The book is magisterial: learned, gracefully written, intelligent, and aware. -Gail McMurray Gibson, Davidson College The importance of this study cannot be underestimated. -The Medieval Review Coletti scrupulously traces an elusive web of associations-texts, practices, patrons-in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history. -Renaissance Quarterly This fascinating and important interdisciplinary study of theatrical practice ... reveals the importance of Middle English drama to the religious environment of fifteenth-century England -Religious Studies Review In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene... Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings... A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history. -Medieval and Renaissance Drama in England Theresa Coletti's book, eagerly awaited, does not disappoint. -Speculum The book is magisterial: learned, gracefully written, intelligent, and aware. -Gail McMurray Gibson, Davidson College The importance of this study cannot be underestimated. -Medieval Review Coletti scrupulously traces an elusive web of associations-texts, practices, patrons-in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history. -Renaissance Quarterly This fascinating and important interdisciplinary study of theatrical practice ... reveals the importance of Middle English drama to the religious environment of fifteenth-century England -Religious Studies Review In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene... Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings... A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history. -Medieval and Renaissance Drama in England Theresa Coletti's book, eagerly awaited, does not disappoint. -Speculum The book is magisterial: learned, gracefully written, intelligent, and aware. -Gail McMurray Gibson, Davidson College The importance of this study cannot be underestimated. -The Medieval Review Coletti scrupulously traces an elusive web of associations-texts, practices, patrons-in order to reconstruct the play's complex engagement of social, political, and religious concerns on the eve of the Reformation in England. In doing so, she calls for a long-overdue reassessment of both the play's and East Anglian culture's place in English literary, social, and religious history. -Renaissance Quarterly This fascinating and important interdisciplinary study of theatrical practice ... reveals the importance of Middle English drama to the religious environment of fifteenth-century England -Religious Studies Review In this richly rewarding book, Coletti is chiefly interested in the questions that Mary Magdalene raises about women and institutionalized religion, spirituality, and sexuality, and the possibilities and limits of female religious authority. Coletti pursues these questions by concentrating on one play, the extraordinary East Anglian drama on the life of Mary Magdalene... Coletti provides a probing account of devotional and mystical texts, saints' legends, homiletic traditions, and other religious writings... A masterful report on the cultural meanings of one medieval performance, but also a compelling account of how such performances matter for literary and cultural history. -Medieval and Renaissance Drama in England Author InformationTheresa Coletti is Professor of English at the University of Maryland. She is author of Naming the Rose: Eco, Medieval Signs, and Modern Theory. Tab Content 6Author Website:Countries AvailableAll regions |