Mary Ellen Bute: Pioneer Animator

Author:   Kit Smyth Basquin
Publisher:   John Libbey & Co
ISBN:  

9780861967445


Pages:   176
Publication Date:   23 June 2020
Format:   Paperback
Availability:   In Print   Availability explained
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Mary Ellen Bute: Pioneer Animator


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Overview

Mary Ellen Bute: Pioneer Animator captures the personal and professional life of Mary Ellen Bute (1906-1983) one of the first American filmmakers to create abstract animated films in 1934, also one of the first Americans to use the electronic image of the oscilloscope in films starting in 1949, and the first filmmaker to interpret James Joyce's literature for the screen, Passages from James Joyce's Finnegans Wake, a live-action film for which she won a Cannes Film Festival Prize in 1965. Bute had an eye for talent and selected many creative people who would go on to be famous. She hired Norman McLaren to hand paint on film for the animation of her Spook Sport, 1939, before he left to head the animation department of the Canadian Film Board. She cast the now famous character actor Christopher Walken at age fourteen as the star of her short live-action film, The Boy Who Saw Through, 1958. Also, Bute enlisted Elliot Kaplan to compose the film score of her Finnegans Wake before he moved on to compose music for TV's Fantasy Island and Ironside. This biography drawn from interviews with Bute's family, friends, and colleagues, presents the personal and professional life of the filmmaker and her behind-the-scenes process of making animated and live action films.

Full Product Details

Author:   Kit Smyth Basquin
Publisher:   John Libbey & Co
Imprint:   John Libbey & Co Ltd
Weight:   0.363kg
ISBN:  

9780861967445


ISBN 10:   0861967445
Pages:   176
Publication Date:   23 June 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Prologue: My Art Mother Chapter 1 Early Education: The Lavender in the Shadows Chapter 2 Yale University 1925–1926,Floating University 1926–1927, Houston Debut 1927–1928, and New York 1929–1930 Chapter 3 Abstract Animation (1934–1953) Chapter 4 The Boy Who Saw Through Chapter 5 Passages from James Joyce's Finnegans Wake, 1965 Directed by Mary Ellen Bute: The Inner Essential Picture Chapter 6 Thornton Wilder's Skin of Our Teeth Chapter 7 Out of the Cradle Endlessly Rocking: The Odyssey of Walt Whitman, A Builder of the American Vision and Final Days Chapter 8 Cecile Starr: Champion of Women Filmmakers Acknowledgements Chronology Mary Ellen Bute and Theodore J. Nemeth, Jr. Filmography Bibliography Colour Plates

Reviews

In writing this biography, Smyth Basquin has made a facet of film history glimmer in a new light. Bute led a fascinating life, and her films, until recently, had been widely overlooked. Kit Smyth Basquin not only has been thorough with her research but also has donated her collected materials to the Beinecke Library at Yale University (167). The book is an essential addition to the field of animation studies, vastly increasing the available information about Bute. It serves as both an acknowledgement of her contributions to cinema and a testament to the rewards of finding one's own way amid hardships. --Tom Klein Film Quarterly


In writing this biography, Smyth Basquin has made a facet of film history glimmer in a new light. Bute led a fascinating life, and her films, until recently, had been widely overlooked. Kit Smyth Basquin not only has been thorough with her research but also has donated her collected materials to the Beinecke Library at Yale University (167). The book is an essential addition to the field of animation studies, vastly increasing the available information about Bute. It serves as both an acknowledgement of her contributions to cinema and a testament to the rewards of finding one's own way amid hardships. -- Tom Klein * Film Quarterly *


Author Information

Kit Smyth Basquin holds a BA from Goucher College in history, an MA in art history from Indiana University, and a PhD in interdisciplinary studies from Union Institute and University, Cincinnati. She worked thirteen-and-a-half years as an administrator in the Drawings and Prints department at The Metropolitan Museum of Art. Prior to that she was curator of education and independent curator at the Haggerty Museum of Art, Marquette University, Milwaukee. She is a free-lance writer and a choral singer in New York.

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