Awards

• Long-listed for William M. B. Berger Prize for British Art History 2013
• Long-listed for William M. B. Berger Prize for British Art History 2013.

Overview

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9781409436690

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Reviews

'The book is an important addition to an expanding literature on the British art market and will be welcomed by those university art history departments that have been expansive enough to embrace the economic history of art. It also has much to contribute to a clearer understanding of the broader patterns of promotion and consumption that have been fashioned over time...' Cercles 'The introduction alone is enough to justify recommending the book ... this dense, well-written book is a constructive contribution to the understanding of the British art market, long-neglected in art history, and will no doubt benefit any scholar interested in the complex links between art and commerce in the British Isles.' Miranda

'The book is an important addition to an expanding literature on the British art market and will be welcomed by those university art history departments that have been expansive enough to embrace the economic history of art. It also has much to contribute to a clearer understanding of the broader patterns of promotion and consumption that have been fashioned over time...' Cercles 'The introduction alone is enough to justify recommending the book ... this dense, well-written book is a constructive contribution to the understanding of the British art market, long-neglected in art history, and will no doubt benefit any scholar interested in the complex links between art and commerce in the British Isles.' Miranda

'The book is an important addition to an expanding literature on the British art market and will be welcomed by those university art history departments that have been expansive enough to embrace the economic history of art. It also has much to contribute to a clearer understanding of the broader patterns of promotion and consumption that have been fashioned over time...' Cercles 'The introduction alone is enough to justify recommending the book ... this dense, well-written book is a constructive contribution to the understanding of the British art market, long-neglected in art history, and will no doubt benefit any scholar interested in the complex links between art and commerce in the British Isles.' Miranda

Author Information

Dr Charlotte Gould is a former student of the Ecole Normale Superieure in Cachan, she is Senior Lecturer at Universite Sorbonne Nouvelle and works on contemporary British art. Dr Sophie Mesplede is Senior Lecturer at Universite Rennes 2, where she works on eighteenth-century British art. Charlotte Gould, Sophie Mesplede, Grischka Petri, Andrew Stephenson, Gabriel N. Gee, Uta Protz, Dries Lyna, Benedicte Miyamoto, Anne Helmreich, Patricia de Montfort, Chin-tao Wu, Barbel Kuster, Laurent Chatel, Guillaume Evrard, Anne-Pascale Bruneau-Rumsey.

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