Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction

Author:   Elena Machado Sáez
Publisher:   University of Virginia Press
ISBN:  

9780813937045


Pages:   272
Publication Date:   30 March 2015
Format:   Hardback
Availability:   Available To Order   Availability explained
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Market Aesthetics: The Purchase of the Past in Caribbean Diasporic Fiction


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Author:   Elena Machado Sáez
Publisher:   University of Virginia Press
Imprint:   University of Virginia Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.482kg
ISBN:  

9780813937045


ISBN 10:   0813937043
Pages:   272
Publication Date:   30 March 2015
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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Through careful attention to reviews, press coverage, blogs, interviews, and other paratextual sources, Machado Saez offers a nuanced account of the literary marketplace and the readerly desires that have shaped the authors' self-conscious crafting of their historical fictions. The breadth of the author's scope is impressive, as the book touches on the diasporic experiences of Caribbean expatriate writers in Canada, the United States, and the United Kingdom.--Jeff Karem, Cleveland State University, author of The Purloined Islands: Caribbean-U.S. Crosscurrents in Literature and Culture, 1880-1959


Machado Saez's arguments are insightful and complex... [She] draws incisive, macro-level conclusions about Carribean diasporic historical fiction --ARIEL (A Review of International English Literatures) Throughout the book, S ez attentively draws on the critical reception and market success of the works to understand how texts reach certain audiences. Due to this approach, S ez's research offers a critical insight into the role of the market in Caribbean diasporic literature, particularly regarding the tension between an author's ethical commitment to historical revision and the market's pressure to commodify a certain kind of multiculturalism. S ez has a keen understanding of the relationship between the market, readerships, and the aesthetics of texts... S ez's work offers an innovative contribution to the study of Latina/o, Caribbean, and Caribbean diasporic literature. Her study presents both a fresh perspective on canonical texts and an analysis of texts not widely discussed. --Callaloo In Market Aesthetics, Machado S ez makes a valuable and original contribution to the field of Caribbean diasporic literature with her superb analysis not only of the fiction itself but also of its global contexts, its ethics of writing production and reading strategies, and its paratexts, as exemplified by her concluding chapter's exploration of digital receptions' impact on Caribbean historical writing. The scope of the work is impressive, as is the insistent call that underlies all the readings, for us to be attentive to our ethical sensibilities and obligations as scholars and readers of Caribbean historical fiction. --College Literature Elena Machado S ez's Market Aesthetics is a carefully crafted study that examines the ethics and intimacies in Caribbean diasporic historical fiction as it represents diasporas to the United States, Canada, and Britain.... The nimble critiques throughout Market Aesthetics demonstrate an intellectually rigorous project.... Market Aesthetics is a powerful study, affirming the importance of reading the textual and market contradictions of Caribbean diasporic historical fiction. --Caribbean Studies In her impeccably argued and theoretically complex, yet accessible, introduction, Machado S ez offers a rich discussion of the intersections between the rise of various forms of multiculturalism following the civil rights movements of the 1960s and the dangerous tendency to decontextualize ethnic literature under the umbrella of globalization.... Machado S ez's conclusion stuns with a remarkable analysis of the perils and possibilities of reader-response criticism in the digital age.... Machado S ez's Market Aesthetics draws attention to the reasons, possibilities, and limitations inherent in the rise of historical fiction in Caribbean diasporic literature and offers a richly contextualized discussion of the effect of multicultural debates and a globalizing market on the production and consumption of literature. --Marion Christina Rohrleitner MELUS Through careful attention to reviews, press coverage, blogs, interviews, and other paratextual sources, Machado S ez offers a nuanced account of the literary marketplace and the readerly desires that have shaped the authors' self-conscious crafting of their historical fictions. The breadth of the author's scope is impressive, as the book touches on the diasporic experiences of Caribbean expatriate writers in Canada, the United States, and the United Kingdom. --Jeff Karem, Cleveland State University, author of The Purloined Islands: Caribbean-U.S. Crosscurrents in Literature and Culture, 1880-1959


In her impeccably argued and theoretically complex, yet accessible, introduction, Machado Saez offers a rich discussion of the intersections between the rise of various forms of multiculturalism following the civil rights movements of the 1960s and the dangerous tendency to decontextualize ethnic literature under the umbrella of globalization.... Machado Saez's conclusion stuns with a remarkable analysis of the perils and possibilities of reader-response criticism in the digital age.... Machado Saez's Market Aesthetics draws attention to the reasons, possibilities, and limitations inherent in the rise of historical fiction in Caribbean diasporic literature and offers a richly contextualized discussion of the effect of multicultural debates and a globalizing market on the production and consumption of literature.--Marion Christina Rohrleitner MELUS


Author Information

Elena Machado Sáez, Associate Professor of English at Florida Atlantic University, USA, is coauthor with Raphael Dalleo of The Latino/a Canon and the Emergence of Post-Sixties Literature.

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