Marin Mersenne and the Study of Harmony: From Sound to Music

Author:   Leendert van der Miesen
Publisher:   Amsterdam University Press
ISBN:  

9789048564132


Pages:   362
Publication Date:   07 April 2025
Format:   Hardback
Availability:   In Print   Availability explained
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Marin Mersenne and the Study of Harmony: From Sound to Music


Overview

Marin Mersenne and the Study of Harmony delves into the central role of music among the early modern sciences by focusing on the work of the French polymath Marin Mersenne (1588–1648). Although now regarded more as an art than a science, music was for many early modern scholars a universal science for studying the harmonies present in all beings. For Mersenne, music’s ability to be quantified while being experienced aesthetically meant that it was the central science to approximate the sounding and inaudible harmonies present in the world and universe at large. Bringing together Mersenne’s interests in the physics of sound and hearing, musical composition, instruments, curiosities, and music from outside Europe, this book shows why so many scholars were drawn to music and how music was at the center of the early modern debate on the foundations of knowledge.

Full Product Details

Author:   Leendert van der Miesen
Publisher:   Amsterdam University Press
Imprint:   Amsterdam University Press
ISBN:  

9789048564132


ISBN 10:   9048564131
Pages:   362
Publication Date:   07 April 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   No Longer Our Product
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Note on typography and citation List of figures List of music examples Introduction: Harmonies at Work 1. Music, the Measure of Sound 2. Instruments between Art and Nature 3. Collecting Curiosities: Images, Observations, and Earwitnesses 4. “The octave pleases all:” Questioning the Universality of Music 5. Counting and Composing Conclusion Appendix A: Composition of Harmonie universelle Appendix B: Composition of Harmonicorum libri XII Acknowledgments Bibliography Index

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Author Information

Leendert van der Miesen is a musicologist and historian, with a focus on the connections between music, science, and sound in the early modern period. He has held fellowships at the Collaborative Research Center 980 in Berlin, Max Planck Institute for the History of Science, and Bibliotheca Hertziana – Max Planck Institute for Art History.

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