Overview

This ambitious monograph reveals the strong and singular body of work of the major painter in the French art scene. Marc Desgrandchamps, a major painter in the French art scene, explores the notions of opacity, transparency, and superimposition. Far from realistic representation, his figurative work allows the strange to emerge through distorted perspectives, undefined spaces, and fragmented bodies. The book includes essays by Pauline Nobécourt and Danièle Cohn, an interview with the artist by Erik Verhagen, and forwords by Frédérique Goerig-Hergott and Jean Frémon.

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9782370742087

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Pauline Nobécourt is an art historian and Curator of the Musée des Beaux-Arts de Dijon. Danièle Cohn is Professor of Philosophy and Director of the CEPA laboratory at the University of Paris I - Panthéon Sorbonne. Erik Verhagen is an art critic and lecturer in Contemporary Art History at the University of Valenciennes. Frédérique Goerig-Hergott is Chief Curator of Heritage and Director of the museums of Dijon. Jean Frémon is an art critic and Director of Galerie Lelong.

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