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Author:   Esperanza Rodríguez-García ,  Daniele V. Filippi
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.574kg
ISBN:  

9781138207103

ISBN 10:   1138207101
Pages:   288
Publication Date:   20 August 2018
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of figures Music examples List of tables List of contributors Abbreviations Acknowledgements The motet in the post-Tridentine world: an introduction ESPERANZA RODRÍGUEZ-GARCÍA AND DANIELE V. FILIPPI 1 Proper to the day: calendrical ordering in post-Tridentine motet books DAVID CROOK 2 Motets, Vespers antiphons and the performance of the post-Tridentine liturgy in Italy JEFFREY KURTZMAN 3 Motets and the liturgy for the Dead in Italy: text typologies and contexts of performance ANTONIO CHEMOTTI 4 Motets pro defunctis in the Iberian world: texts and performance contexts OWEN REES 5 Palestrina’s mid-life compositional summary: the three motet books of 1569–75 NOEL O’REGAN 6 Modality as orthodoxy and exegesis: strategies of tonal organisation in Victoria’s motets MARCO MANGANI AND DANIELE SABAINO 7 Beyond the denominational paradigm: the motet as confessional(ising) practice in the later sixteenth century CHRISTIAN THOMAS LEITMEIR 8 In search of the English motet KERRY MCCARTHY 9 Songs without words: the motet as solo instrumental music after Trent JOHN GRIFFITHS 10 The soundtrack for a miracle and other stories of the motet from post-Tridentine Milan DANIELE V. FILIPPI 11 Mapping the motet in post-Tridentine Seville and Granada: Repertoire, meanings and functions JUAN RUIZ JIMÉNEZ Index of names Index of musical prints

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"Esperanza Rodríguez-García is currently a post-doctoral researcher at the Universidade Nova de Lisboa (Portugal), working with the project The Anatomy of Late 15th- and Early 16th-Century Iberian Polyphonic Music. She has held research positions at the IMR-University of London (as an Early Career Research Associate), the British Library-RHUL (as a researcher on the project ‘Early Music Online’) and the University of Nottingham (‘Leverhulme Early Career Research Fellow'). Her publications on various aspects of music of the Early Modern period include one music edition, one book and various articles on musical sources, musical institutions and their repertoires, historiography and book history. Her latest contribution (‘Authors, Books, and Readers: Tomás Luis de Victoria’s Missae, magnificat, motecta, psalmi et alia [1600]’) appeared in the volume Makers, Owners and Users of Music Sources before 1600 (ed. Tim Sheppard and Lisa Colton, Brepols, 2017). Daniele V. Filippi is is a Swiss National Science Foundation post-doctoral research fellow at the Schola Cantorum Basiliensis (University of Applied Sciences and Arts Northwestern Switzerland, Academy of Music, Basel, Switzerland). The motet has been part of his scholarly interests since his graduation at the University of Pavia at Cremona (1999) with a dissertation on Palestrina’s Motecta festorum totius anni of 1563. He has researched and published about several early modern composers, including Palestrina, Victoria, de Monte and G.F. Anerio. Among his recent publications are '""Audire missam non est verba missae intelligere…"": The Low Mass and the Motetti missales in Sforza Milan' (Journal of the Alamire Foundation 9, no. 1 [2017]) and the book Listening to Early Modern Catholicism: Perspectives from Musicology, co-edited with Michael Noone (Brill, 2017). For more information, see www.selvarmonica.com/."

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