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[...]gratification was mutual, and it must have been a consolation to the dressmaker, if he had to whistle long and loud for his cheque, to have his artistic pleasure to fall back on. Now Kit-a rare accomplishment-could stand orange, and to stand orange means to be admirably suited to orange. She loved it herself, Jean genuinely agreed with her, and in this dress four tints of orange chiffon, Dante, faisan dore, Vesuve, and pomme d'or, blazed together. Even Worth, the greatly daring, had inwardly felt a qualm of audacity, but how admirably, when Kit was inside the gown, had his audacity succeeded! Reussi! he would have sighed had he seen it. Over all was a fine net of pale mandarin yellow, to which was tacked a cusped acanthus pattern of sequins; and Kit, looking at herself long and critically in her wardrobe glass, said Lor'! Her glorious red-gold hair, full of dusky flames, of a tint after which Nature blindly gropes where Paris leads the way, was the point to which Worth had worked, and his success was beyond all approval or praise. Next came the question of jewels, and Hortense, her maid, with the artist's eye, thought that pearls and pearls only, pas un diamant, would[...].

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