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OverviewFull Product DetailsAuthor: Paula Davis HoffmanPublisher: University of Nebraska Press Imprint: University of Nebraska Press ISBN: 9781496240170ISBN 10: 1496240170 Pages: 306 Publication Date: 13 February 2026 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsList of Illustrations Introduction: Let There Be White Part 1. In the Beginning, Hearst Created Cubanas 1. In the 1950s, Desi Did Domesticity 2. In the 1960s, the Voice of America Had a Cuban Accent 3. In the 1970s, la Virgen de PBS Asked, “¿QuÉ Pasa, USA?” Part 2. Are You Now or Have You Ever Been a Chonga? 4. In the 1980s, the World Said Hello to Tony Montana’s Little Friend 5. In the 1990s, the Chongas on the Bus Sang “Doo-Doo Brown” 6. In the 2000s, the Mamis Went to War 7. In the 2010s, Born-Again Chongas Learned to Lip Line Epilogue: Let’s Make Miami Chonga Again Acknowledgments Appendix: Lyrics to “Chongalicious” by the Chonga Girls Notes Bibliography IndexReviews""From Joan Didion to Desi Arnaz, many cultural workers have tried to make sense of the complexities of Cuban American identity, especially in Miami. Paula Davis Hoffman's highly readable Making the Miami Cubanita is a particularly deft examination of this community, its contradictions, and its meanings. This fabulous book takes readers on quite a ride!""—Jason Ruiz, author of Narcomedia: Latinidad, Popular Culture, and America's War on Drugs ""Paula Davis Hoffman's readings of Miami Cuban culture bring a fresh critical perspective to our understanding of gendered diasporic cubanidad, for those who are specialists in Cuban American studies as well as for Latinx studies scholars. I cannot stress enough the importance of these two contributions. A pressing need to challenge and complicate reigning scholarly paradigms regarding gendered diasporic cubanidades exists, and this text successfully takes up that call.""—María Elena Cepeda, author of Musical ImagiNation: U.S.-Colombian Identity and the Latin Music Boom ""Paula Davis Hoffman's study is a sprawling, challenging addition to the ever-evolving body of research on the various versions of the Cuban American experience. Making the Miami Cubanita poses significant questions about how gender, race, and ethnicity intersect in the Magic City.""—Jennine Capó Crucet, author of Say Hello to My Little Friend: A Novel ""Deeply researched yet highly personal, rich, and complex yet thoroughly entertaining, this history of Cuban femininity—centered on the rise of the Miami chonga—marks a new milestone in the Cuban American canon. A must-read!""—Lisandro Pérez, author of The House on G Street: A Cuban Family Saga ""Interdisciplinary, thought-provoking, and engaging. Mixing memoirs, government policy, radio, television, and film as primary sources helps readers to understand the genealogy of the Miami Cuban in general, and the cubanita to the chonga specifically. This book's deep history, political foregrounding, and textual analysis of media make it readable and informative to any audience.""—Adrien P. Sebro, author of Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions ""Deeply researched yet highly personal, rich, and complex yet thoroughly entertaining, this history of Cuban femininity--centered on the rise of the Miami chonga--marks a new milestone in the Cuban American canon. A must-read!""--Lisandro Pérez, author of The House on G Street: A Cuban Family Saga ""From Joan Didion to Desi Arnaz, many cultural workers have tried to make sense of the complexities of Cuban American identity, especially in Miami. Paula Davis Hoffman's highly readable Making the Miami Cubanita is a particularly deft examination of this community, its contradictions, and its meanings. This fabulous book takes readers on quite a ride!""--Jason Ruiz, author of Narcomedia: Latinidad, Popular Culture, and America's War on Drugs ""Interdisciplinary, thought-provoking, and engaging. Mixing memoirs, government policy, radio, television, and film as primary sources helps readers to understand the genealogy of the Miami Cuban in general, and the cubanita to the chonga specifically. This book's deep history, political foregrounding, and textual analysis of media make it readable and informative to any audience.""--Adrien P. Sebro, author of Scratchin' and Survivin' Hustle Economics and the Black Sitcoms of Tandem Productions ""Paula Davis Hoffman's readings of Miami Cuban culture bring a fresh critical perspective to our understanding of gendered diasporic cubanidad, for those who are specialists in Cuban American studies as well as for Latinx studies scholars. I cannot stress enough the importance of these two contributions. A pressing need to challenge and complicate reigning scholarly paradigms regarding gendered diasporic cubanidades exists, and this text successfully takes up that call.""--María Elena Cepeda, author of Musical ImagiNation: U.S.-Colombian Identity and the Latin Music Boom ""Paula Davis Hoffman's study is a sprawling, challenging addition to the ever-evolving body of research on the various versions of the Cuban American experience. Making the Miami Cubanita poses significant questions about how gender, race, and ethnicity intersect in the Magic City.""--Jennine Capó Crucet, author of Say Hello to My Little Friend: A Novel Author InformationPaula Davis Hoffman is an adjunct professor of history at Houston City College. Tab Content 6Author Website:Countries AvailableAll regions |
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