Overview

Focusing on early cinema's relationship with the pictorial arts, this pioneering study explores how cinema's emergence was grounded in theories of picture composition, craft and arts education – from magic lantern experiments in 1890s New York through to early Hollywood feature films in the 1920s. Challenging received notions that the advent of cinema was a celebration of mechanisation and a radical rejection of nineteenth-century traditions of representation, Kaveh Askari instead emphasises the overlap between craft traditions and modernity in early film. Opening up valuable new perspectives on the history of film as art, Askari links American silent cinema with the practice of teaching the public how to appreciate fine art; charts its entrance into arts education via art schools and university film courses; shows how concepts of artistic production entered films through a material interest in the studio; and examines the way in which Maurice Tourneur and Rex Ingram made early art films by shaping an image of the film director around the idea of the fine artist.

Full Product Details

9781844576951

Table of Contents

Reviews

'A major contribution to film history and theory, and film's relation to other media.' - Tom Gunning, University of Chicago, USA'This enterprising work will ultimately transform our understanding of cinema's early artistic tendencies. Kaveh Askari's examination of how film intersected with academia, the lyceum circuit, and the art studio brings to light institutional connections that reveal novel functions for a medium struggling for cultural legitimacy.' - Charlie Keil, University of Toronto, Canada

'A major contribution to film history and theory, and film's relation to other media.' - Tom Gunning, University of Chicago, USA 'This enterprising work will ultimately transform our understanding of cinema's early artistic tendencies. Kaveh Askari's examination of how film intersected with academia, the lyceum circuit, and the art studio brings to light institutional connections that reveal novel functions for a medium struggling for cultural legitimacy.' - Charlie Keil, University of Toronto, Canada

Author Information

Kaveh Askari is Associate Professor of Film Studies at Western Washington University, USA. He is the author of numerous articles on early cinema.

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