Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin

Author:   Dr Yuliya Minkova (Author)
Publisher:   Boydell & Brewer Ltd
Volume:   v. 20
ISBN:  

9781580469142


Pages:   246
Publication Date:   15 April 2018
Format:   Hardback
Availability:   In Print   Availability explained
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Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin


Overview

Examines the ideology of sacrifice in Soviet and post-Soviet culture, analyzing a range of fictional and real-life figures who became part of a pantheon of ""heroes"" primarily because of their victimhood. In Making Martyrs: The Language of Sacrifice in Russian Culture from Stalin to Putin, Yuliya Minkova examines the language of canonization and vilification in Soviet and post-Soviet media, official literature, and popular culture. She argues that early Soviet narratives constructed stories of national heroes and villains alike as examples of uncovering a person's ""true self."" The official culture used such stories to encourage heroic self-fashioningamong Soviet youth and as a means of self-policing and censure. Later Soviet narratives maintained this sacrificial imagery in order to assert the continued hold of Soviet ideology on society, while post-Soviet discourses of victimhood appeal to nationalist nostalgia. Sacrificial mythology continues to maintain a persistent hold in contemporary culture, as evidenced most recently by the Russian intelligentsia's fascination with the former oligarch Mikhail Khodorkovsky, the Russian media coverage of the war in Ukraine, laws against US adoption of Russian children and against the alleged propaganda of homosexuality aimed at minors, renewed national pride in wartime heroes, and the current usage of the words ""sacred victim"" in public discourse. In examining these various cases, the book traces the trajectory of sacrificial language from individual identity construction to its later function of lending personality and authority to the Soviet and post-Soviet state. Yuliya Minkova is Assistant Professor of Russian at Virginia Polytechnic Institute and State University.

Full Product Details

Author:   Dr Yuliya Minkova (Author)
Publisher:   Boydell & Brewer Ltd
Imprint:   University of Rochester Press
Volume:   v. 20
Dimensions:   Width: 15.20cm , Height: 2.10cm , Length: 22.90cm
Weight:   0.510kg
ISBN:  

9781580469142


ISBN 10:   1580469140
Pages:   246
Publication Date:   15 April 2018
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Introduction Werewolves, Vampires, and the ""Sacred Wo/men"" of Soviet Discourse in Pravda and beyond in the 1930s and 1940s Drawing Borders in the Sky: Pirates and Damsels in Distress of Aerial Hijackings in Soviet Press, Literature, and Film Our Man in Chile, or Victor Jara's Posthumous Life in Soviet Media and Popular Culture Fathers, Sons, and the Imperial Spirit: The Wartime Homo Sacer's Competitive Victimhood Robber Baron or Dissident Intellectual: The Businessman Hero at the Crossroads of History Conclusion Notes Bibliography Index"

Reviews

[Making Martyrs] illuminates the enduring role of the martyr in Russian culture, and enriches our understanding of cultural mythology by drawing connections between wartime martyrs and later heroes into the present day. . . . Minkova offers nuanced, timely analysis of recent conflicts and contributes to our understanding of the deteriorating relations between the West and Russia. RUSSIAN REVIEW


[Making Martyrs] illuminates the enduring role of the martyr in Russian culture, and enriches our understanding of cultural mythology by drawing connections between wartime martyrs and later heroes into the present day. . . . Minkova offers nuanced, timely analysis of recent conflicts and contributes to our understanding of the deteriorating relations between the West and Russia. RUSSIAN REVIEW Throughout this unique contribution to cultural history, Minkova's language, wide range of examples, and breadth of analysis suggest that she writes not only for a dedicated reader but an audience of specialists in search of a new way of addressing the continuity of political imagery from Stalin to Putin. SLAVIC REVIEW


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