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OverviewIn the past twenty years, we have seen the rise of digital effects cinema in which the human performer is entangled with animation, collaged with other performers, or inserted into perilous or fantastic situations and scenery. Making Believe sheds new light on these developments by historicizing screen performance within the context of visual and special effects cinema and technological change in Hollywood filmmaking, through the silent, early sound, and current digital eras. Making Believe incorporates North American film reviews and editorials, actor and crew interviews, trade and fan magazine commentary, actor training manuals, and film production publicity materials to discuss the shifts in screen acting practice and philosophy around transfiguring makeup, doubles, motion capture, and acting to absent places or characters. Along the way it considers how performers and visual and special effects crew work together, and struggle with the industry, critics, and each other to define the aesthetic value of their work, in an industrial system of technological reproduction. Bode opens our eyes to the performing illusions we love and the tensions we experience in wanting to believe in spite of our knowledge that it is all make believe in the end. Full Product DetailsAuthor: Lisa BodePublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.526kg ISBN: 9780813579986ISBN 10: 0813579988 Pages: 246 Publication Date: 07 July 2017 Recommended Age: From 18 to 99 years Audience: General/trade , College/higher education , Professional and scholarly , General , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsIn this expansive and historically-informed study, Lisa Bode provides a wise and illuminating account of the intersection of actors with cinema technology in all its myriad forms. This is one of the best and most nuanced discussions of performance and acting in the digital era that I have read or will ever hope to read. --Adrienne L. McLean author of Dying Swans and Madmen: Ballet, the Body, and Narrative Cinema Author InformationLISA BODE is a lecturer in film and television studies at the University of Queensland. Tab Content 6Author Website:Countries AvailableAll regions |