Overview

The visual imagery of Neolithic Britain and Ireland is spectacular. While the imagery of passage tombs, such as Knowth and Newgrange, are well known the rich imagery on decorated portable artefacts is less well understood. How does the visual imagery found on decorated portable artefacts compare with other Neolithic imagery, such as passage tomb art and rock art? How do decorated portable artefacts relate chronologically to other examples of Neolithic imagery? Using cutting edge digital imaging techniques, the Making a Mark project examined Neolithic decorated portable artefacts of chalk, stone, bone, antler, and wood from three key regions: southern England and East Anglia; the Irish Sea region (Wales, the Isle of Man and eastern Ireland); and Northeast Scotland and Orkney. Digital analysis revealed, for the first time, the prevalence of practices of erasure and reworking amongst a host of decorated portable artefacts, changing our understanding of these enigmatic artefacts. Rather than mark making being a peripheral activity, we can now appreciate the central importance of mark making to the formation of Neolithic communities across Britain and Ireland. The volume visually documents and discusses the contexts of the decorated portable artefacts from each region, discusses the significance and chronology of practices of erasure and reworking, and compares these practices with those found in other Neolithic contexts, such as passage tomb art, rock art and pottery decoration. A contribution from Antonia Thomas also discusses the settlement art and mortuary art of Orkney, while Ian Dawson and Louisa Minkin contribute with a discussion of the collaborative fine art practices established during the project.

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9781789251883

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Reviews

Supported by a comprehensive bibliography, excellent and detailed photography, and that all-important index, Meirion Jones and Diaz-Guardamino provide the reader with a refreshing approach to deconstructing art and how it played a fundamental part in Neolithic society. This book will be an important contribution to the study of this enigmatic subject. * Current Archaeology * The volume is lavishly illustrated... the study is rich in ideas and explores the practices of erasure, revision and reworking. The significance of process is brought into sharp focus in an excellent chapter by Antonia Thomas that deviates from artefacts to discuss the decoration of buildings and tombs in Orkney. * British Archaeology *

The volume is lavishly illustrated... the study is rich in ideas and explores the practices of erasure, revision and reworking. The significance of process is brought into sharp focus in an excellent chapter by Antonia Thomas that deviates from artefacts to discuss the decoration of buildings and tombs in Orkney. * British Archaeology *

Author Information

Andrew Meirion Jones is Professor of Archaeology, University of Southampton, UK. He has taught and written extensively on the archaeology of art, particularly rock art. His most recent book is The Archaeology of Art. Materials, Practices, Affects (2018) written with Andrew Cochrane. Marta Díaz-Guardamino is Lecturer in Archaeology at Cardiff University, UK. Her research interests are in European prehistory and proto-history, archaeological theory, and digital technologies. She has studied prehistoric rock art, monumental sculpture and portable art from Iberia, Britain, and Ireland, including fieldwork at find spots of stelae and statue-menhirs.

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