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OverviewThis study delineates the cultural work of magical realism as a dominant mode in postcolonial British fiction through a detailed analysis of Salman Rushdie's Midnight's Children (1981), Shashi Tharoor's The Great Indian Novel (1989), Ben Okri's The Famished Road (1991), and Syl Cheney-Coker's The Last Harmattan of Alusine Dunbar (1990). It first traces the development of magical realism from its origins in European painting to its appropriation into literature by European and Latin American writers. It then explores contested definitions of magical realism and the critical questions surrounding them and analyzes the relationship between the paradigmatic turn in postcolonial literatures and the concomitant rise of magical realism in Third World countries. Full Product DetailsAuthor: Taner CanPublisher: ibidem-Verlag, Jessica Haunschild u Christian Schon Imprint: ibidem-Verlag, Jessica Haunschild u Christian Schon Volume: 19 Dimensions: Width: 14.80cm , Height: 1.50cm , Length: 21.00cm Weight: 0.719kg ISBN: 9783838207544ISBN 10: 3838207548 Pages: 250 Publication Date: 07 December 2021 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Language: English Table of ContentsReviewsAuthor InformationTaner Can is an instructor of English at the Ankara University School of Foreign Languages. His research interests include modern fiction, cultural studies, and literary theory. Tab Content 6Author Website:Countries AvailableAll regions |