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Author:   Danijela Beard (Cardiff University, UK) ,  Ljerka Rasmussen (Tennessee State University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.639kg
ISBN:  

9781138211735

ISBN 10:   1138211737
Pages:   272
Publication Date:   22 June 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

"List of Illustrations Series Foreword Preface Introduction: Reclaiming the Legacy of Yugoslav Popular Music - Danijela Š. Beard with Ljerka V. Rasmussen PART I: ZABAVNA-POP 1 Networking Zabavna Music: Singers, Festivals and Estrada - Jelena Arnautović 2 ""Melodies from the Adriatic:"" Mediterranean Influence in Zabavna Music Festivals of the 1950s and 1960s - Anita Buhin 3 The Sarajevo Pop-Rock Scene: Music from the Yugoslav Crossroads - Vesna Andree Zaimović 4 Yugoslav Film and Popular Culture: Arsen Dedić’s Songs in Films - Irena Paulus PART II: ROCK, PUNK, NEW WAVE 5 Belgrade Rock Experience: From Sixties Innocence to Eighties Relevance - Aleksandar Žikić 6 Jugoton: From State Recording Giant to Alternative Producer of Yugoslav New Wave - Branko Kostelnik 7 ""Absolutely Yours:"" Yugoslav Disco under Late Socialism - Marko Zubak 8 The Aesthetics of Music Videos in Yugoslav Rock Music: Josipa Lisac, EKV, Rambo Amadeus - Ivana Medić 9 Bijelo Dugme: The Politics of Remembrance within the Post-Yugoslav Popular Music Scene - Ana Petrov PART III: NARODNA (FOLK) AND NEOFOLK MUSIC 10 Starogradska Muzika: An Ethnography of Musical Nostalgia - Marija Dumnić Vilotijević 11 ""My Juga, My Dearest Flower:"" The Yugoslav Legacy of Newly Composed Folk Music Revisited - Iva Nenić 12 Music in Macedonia: Yugoslavia’s Balkans - Velika Stojkova Serafimovska 13 Fantasy, Sexuality, and Yugoslavism in the Music of Lepa Brena's Music - Zlatan Delić PART IV: THE POLITICS OF POPULAR MUSIC UNDER SOCIALISM 14 Yugoslavia in the Eurovision Song Contest - Dean Vuletic 15 ""Rocking the Party Line:"" The Yugoslav Festival of Patriotic and Revolutionary Song and the Polemics of ""Soc-Pop"" in the 1970s - Danijela Š. Beard 16 ""Comrades, We Don’t Believe You!"" Or, Do We Just Want to Dance With You?: The Slovenian Punk Subculture in Socialist Yugoslavia - Gregor Tomc 17 Music Labor, Class, and Socialist Entrepreneurship: Yugoslav Self-Management Revisited - Ana Hofman 18 Music for the ""Youth Day Central Ceremony"" after Tito: De-ritualization and Other Indices of Yugoslav Decline - Naila Ceribašić and Jelka Vukobratović CODA 19 Yugoslav Popular Music and Global Histories of the Cold War - Catherine Baker AFTERWORD 20 “What Would You Give to be in my Place?:”A Conversation with Goran Bregović - Vesna Andree Zaimović, Ljerka V. Rasmussen, and Danijela Š. Beard Bibliography Notes on Contributors Index"

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Author Information

Danijela Š. Beard is Associate Lecturer in Music at Cardiff University, UK. She was previously a lecturer in Music at Nottingham University and an Early Career Fellow at the Institute of Musical Research (Royal Holloway, University of London). Ljerka V. Rasmussen holds a PhD in ethnomusicology from Wesleyan University and is on the faculty of music at Tennessee State University, USA. She is the author of Newly Composed Folk Music of Yugoslavia.

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