Overview

The blazing rock opera of the greatest drummer of all-time, Jim Gordon, from the legendary Wrecking Crew to redefining rock on the Seventies’ biggest hits and outrageous tours, and ultimately to the most shocking crime in rock history—a story of musical genius, uncontrollable madness, and the big fill  Jim Gordon was the greatest rock drummer of all-time. Just ask the world-famous musicians who played with him—John Lennon, George Harrison, Eric Clapton, Tom Petty, Frank Zappa, Steely Dan, Ringo Starr, Harry Nilsson, Joe Cocker, and many more. They knew him for his superior playing, extraordinary training and technique, preternatural intuition, perfect sense of time, and his “big fill”—the mathematically-precise clatter that exploded like detonating fireworks on his drum breaks. And as best-selling author and award-winning journalist Joel Selvin reveals, the story of Jim Gordon is the most brilliant, turbulent, and wrenching rock opera ever.  This riveting narrativefollows Gordon as the very chemicals in his brain that gifted him also destroyed him. His head crowded with a hellish gang of voices screaming at him, demanding obedience, Gordon descended from the absolute heights of the rock world—playing with the most famous musicians of his generation—to working with a Santa Monica dive-bar band for $30 a night. And then he committed the most shocking crime in rock history.  With full cooperation from the late Gordon's family, and based on his trademark extensive, detailed research, Joel Selvin’s account is at once an epic journey through an artist’s monumental musical contributions, a rollicking history of rock drumming, and a terrifying downward spiral into unimaginable madness that Gordon fought a valiant but losing battle against. One of the great untold stories of rock is finally being told.

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9781635768992

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Reviews

Praise for the Work of Joel Selvin Sly & The Family Stone: An Oral History A first-hand account of both the kaleidoscopic talent that drove Stone to the top and attracted so many people to him, and the madness that he soon descended into and never truly returned from. . . . It amounts to a definitive history of one of the rock generation's greatest and most tragic artists. -Jem Aswad, Variety, The Best Music Books of 2022 As disturbing and chilling a version as you'll ever find of the 'dashed '60s dream' narrative: idealism giving way to disillusionment, soft drugs giving way to hard, ferment to rot. -David Kamp, Vanity Fair The musical trajectory of Sly & The Family Stone, and especially its namesake and leader, Sly Stone (born Sylvester Stewart), makes even the most shocking episode of Behind the Music look like Nickelodeon programming. Esteemed music journo Joel Selvin chronicles the good, the bad, the ugly (and the really ugly). -Bob Ruggiero, Houston Press Hollywood Eden: Electric Guitars, Fast Cars, and the Myth of the California Paradise Hollywood Eden brings the lost humanity of the record business vividly back to life. . . . [Selvin's] style is blunt, unpretentious and brisk; he knows how to move things along entertainingly. . . . Songs about surfboards and convertibles had turned quaint, but in this book, their coolness is restored. New York Times A jukebox musical of a book. . . . If Altamont marked the premature end of the 1960s, Hollywood Eden is the decade's origin story, capturing the lingering 1950s and the transition in Southern California music from surfing and hot rods to the singer-songwriters of the canyons. San Francisco Chronicle What Selvin does so well is focus on a specific community and what made it work. . . . Selvin took a similar approach in . . . Summer of Love. Here he zooms in tighter on less trodden ground, with more revelatory results. Los Angeles Times Forget the subtitle, which is its own myth. The book is in stray facts no one else would dig up, yet alone think of publishing . . . and, in this ten-years-on-the-strip tale of white people coming out of University High in Los Angeles and making records, the way Selvin can cut right down to what really matters, over and over again. -Greil Marcus, Los Angeles Review of Books Fare Thee Well: The Final Chapter of the Grateful Dead's Long, Strange Trip Examines every sad twist, turn, and betrayal involved in the Dead's various offshoot groups leading up to their 2015 Fare Thee Well reunion. Rolling Stone Selvin smartly steers clear of tie-dyed '60s mysticism, offering instead a reported look at the lives of the remaining 'core four' members. . . . how the four men grappled with their own ambitions. Washington Post A great and inspiring story. -Marty Balin, founder of Jefferson Airplane Illuminating, astounding, and accurate, Fare Thee Well is a remarkable account of the successes and failures by the talented, individualist remaining members of the Grateful Dead since the death of their leader, Jerry Garcia. -Steve Miller, founder of the Steve Miller Band Fare Thee Well is a masterful summation of the agonies, trials, and tribulations that beset the Grateful Dead after Jerry Garcia passed away. -Sam Cutler, author of You Can't Always Get What You Want: My Life with the Rolling Stones, the Grateful Dead, and Other Wonderful Reprobates As always, Joel Selvin boldly goes where others fear to tread. -Robert Greenfield, author of Dark Star: An Oral Biography of Jerry Garcia An enthusiastic but clear-eyed and enjoyably gossipy piece of modern rock history. Publishers Weekly Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day Boy, did I live in a bubble-or something. I had no idea the extent of bruising under the melting rainbow. Selvin is revealing our tricky gestation in the weird womb of sixties rock. Frightening. -Grace Slick, member of Jefferson Airplane An account that moves at movie pace, Selvin cuts through woolly cop-out rhetoric, offering clarity and detail . . . Altamont was a tragedy in the classical sense-a disaster born of hubris and folly-and Selvin nails every last shred of both. -Mojo Magazine An incisive account of the most infamous concert debacle in rock history. . . . This book provides context and perspective, showing the sea change in rock that was taking place as the Rolling Stones attempted to reassert themselves amid the increasing dominance of San Francisco psychedelia and the spirit of Woodstock. . . . Compelling. -Kirkus Reviews (Starred Review) Selvin's presentation of Altamont busts the myth of innocence lost; in fact, Altamont just made the reality harder to ignore. -Publishers Weekly Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues Selvin's tale . . . rights a historical injustice, shining a light on an overshadowed great man and deepening our understanding of a history we continue to dance to. -New York Times Selvin makes the case that borderline-shady characters like Berns have always cast a big shadow over pop. -Rolling Stone Again and again, Selvin brings forgotten recording sessions that any other chronicler would have ignored to such stirring life that they validate not only the story he has to tell but the worth of Berns's own life. . . . Selvin lets you feel the contingency of the moment, how everything that happened-this inflection, that hesitation-could have turned out completely differently, and led to nothing. -Greil Marcus, Believer Berns is simply a hook for a larger history of the business of rhythm and blues in the 1960s. Here Comes the Night paints this milieu-unscrupulous businessmen shilling teenybopper hits. -Los Angeles Review of Books Here Comes the Night makes a strong case for Berns as the consummate record man, not just another white guy trolling the world of NYC independent R&B looking for a buck but a passionate believer in music. . . . Selvin takes a labyrinthine tale involving hundreds of characters and tames it. . . . It's as classic a '60s music story as any. And Selvin tells it with period-appropriate style. -Mojo, Four-Star Review Joel Selvin's new book makes a claim to greatness. In the world of glaringly and exhaustively over-examined star bios, the San Francisco-based journalist not only exhumes a lost soul in the pantheon of '60s pop and soul (along with capturing rock 'n' roll's burgeoning eruption), he also creates as engaged and energetic a narrative as any so-called serious writing can contain. -Paste Magazine A compelling biography of a man who wrote and produced records in a fever. It's also an unvarnished account of the often-sordid world of East Coast music publishers, tunesmiths, record hustlers, label executives, gamblers, studio engineers, rack-jobbers, dee jays, and leg breakers. -DownBeat Magazine A vivid, character-filled picture of the wild west atmosphere of the New York music biz, often branching out into narrative detours that are consistently entertaining and enlightening. -Austin Chronicle Selvin chronicles in delicious detail the golden era of the early 1960s rhythm and blues music scene and the turbulent, hard-knuckle world of record-making behind the glitzy, gold foil facade of rock and roll success and glamor. -Cleveland Plain Dealer Joel Selvin has written a book whose prose is so alive, it begs to be read out loud. -Goldmine Magazine A thrilling story of a little-known songwriter and record producer of some of the greatest rhythm and blues hits. Longtime San Francisco Chronicle music critic Selvin digs with gusto into the tasty history of New York City's hit-making songwriters, artists, and record magnates of the great R&B era of the early 1960s. . . . Selvin's prose, muscular and Runyon-esque and never taking itself too seriously, moves the narrative along from its upbeat start to its sordid denouement at the edges of New York's gangland. A fascinating time capsule of a freewheeling era in American music. -Kirkus Reviews Summer of Love: The Inside Story of LSD, Rock & Roll, Free Love and High Times in the Wild West Selvin spins out stories like an acid-age papa unraveling counterculture legends around the old electronic campfire. Warm, human, knowing and funny, this is no flashback-it's a trip. -Dave Marsh, Rolling Stone [A] defining rock-culture book. If you want to know what it was really like to live in the Sixties, this is the one to read. -Stephen King If you want to know how the San Francisco music scene developed, Joel tells you. -Jerry Garcia

"Praise for Drums & Demons  ""When people say that Jim Gordon is the greatest rock 'n' roll drummer who ever lived, I think it's true, beyond anybody."" —Eric Clapton ""Jim was one of the rare players who danced on the edge and knew the secrets...Yes, Jim was healing himself when he drummed, but when he stopped the voices started again...I finished this book slack-jawed, trying to come to grips with this amazing, tragic story."" —Mickey Hart, Grateful Dead ""Jim Gordon is one of the most important drummers in American rock history--he kept the beat for everyone from Buffalo Springfield to the Beach Boys to Jackson Browne to John Denver to Randy Newman. He is also a man whose mental illness and substance abuse sent him spiraling into tragedy. Joel Selvin's Drums & Demons, both painstaking and painful, brings Gordon's darkness into the light."" —Questlove ""When you could get Jim Gordon on your album you were really something. I mean he played with EVERYBODY...We were able to get Jim to play on the Alice Cooper Goes to Hell album when he was the most sought-after drummer in rock 'n' roll. We really, really liked Jim very much except he got to a point where he was talking to himself a lot during takes, we could hear him muttering to himself."" —Alice Cooper  ""Based upon my interactions with Jim Gordon, author Joel Selvin accurately portrays Jim's genius as well as his development into the living hell he gradually occupied. Jim was always soft-spoken, and the first one to arrive at a session. His drums spoke for him, and he had a subtle but commanding presence. Years later, when he was scheduled for a session where I was producing a commercial, he arrived forty-five minutes late, was surly, and uninvolved. Someone else had taken over the Jim we knew and loved, and that was the last time I saw him."" —Mark Lindsay, Paul Revere & The Raiders ""I loved Jim Gordon like a brother and am grateful for Joel Selvin's unstinting notice of Gordon's luminescence, which adds great leavening to this heartbreaking work of staggering genius."" —Van Dyke Parks ""Selvin delivers a sensitive account of the life and legacy of Derek and the Dominos drummer Jim Gordon, who suffered from schizophrenia and murdered his mother...[but was] once deemed the 'greatest drummer' in rock and roll by Eric Clapton and Ringo Starr...Without downplaying the gruesome details of Gordon's crime, Selvin gracefully portrays the musician as 'more than his disease'...This affecting account sheds new light on one of rock's most complicated figures."" —Publishers Weekly ""Joel Selvin is one of the Big Beasts of American music writing. He presents Jim Gordon's complex, tragic story fully in the round, as only he can. Biography of the Year! —Mick Wall, author of Life in the Fast Lane and When Giants Walked the Earth Praise for the Work of Joel Selvin Sly & The Family Stone: An Oral History “A first-hand account of both the kaleidoscopic talent that drove Stone to the top and attracted so many people to him, and the madness that he soon descended into and never truly returned from. . . . It amounts to a definitive history of one of the rock generation’s greatest and most tragic artists.” —Jem Aswad, Variety, “The Best Music Books of 2022” “As disturbing and chilling a version as you’ll ever find of the ‘dashed ’60s dream’ narrative: idealism giving way to disillusionment, soft drugs giving way to hard, ferment to rot.” —David Kamp, Vanity Fair “The musical trajectory of Sly & The Family Stone, and especially its namesake and leader, Sly Stone (born Sylvester Stewart), makes even the most shocking episode of Behind the Music look like Nickelodeon programming. Esteemed music journo Joel Selvin chronicles the good, the bad, the ugly (and the really ugly).” —Bob Ruggiero, Houston Press Hollywood Eden: Electric Guitars, Fast Cars, and the Myth of the California Paradise Hollywood Eden brings the lost humanity of the record business vividly back to life. . . . [Selvin’s] style is blunt, unpretentious and brisk; he knows how to move things along entertainingly. . . . Songs about surfboards and convertibles had turned quaint, but in this book, their coolness is restored.” ―New York Times “A jukebox musical of a book. . . . If Altamont marked the premature end of the 1960s, Hollywood Eden is the decade’s origin story, capturing the lingering 1950s and the transition in Southern California music from surfing and hot rods to the singer-songwriters of the canyons.” ―San Francisco Chronicle “What Selvin does so well is focus on a specific community and what made it work. . . . Selvin took a similar approach in . . . Summer of Love. Here he zooms in tighter on less trodden ground, with more revelatory results.” ―Los Angeles Times “Forget the subtitle, which is its own myth. The book is in stray facts no one else would dig up, yet alone think of publishing . . . and, in this ten-years-on-the-strip tale of white people coming out of University High in Los Angeles and making records, the way Selvin can cut right down to what really matters, over and over again.” —Greil Marcus, Los Angeles Review of Books Fare Thee Well: The Final Chapter of the Grateful Dead’s Long, Strange Trip  “Examines every sad twist, turn, and betrayal involved in the Dead’s various offshoot groups leading up to their 2015 Fare Thee Well reunion.”  ―Rolling Stone “Selvin smartly steers clear of tie-dyed ’60s mysticism, offering instead a reported look at the lives of the remaining ‘core four’ members. . . . how the four men grappled with their own ambitions.” ―Washington Post “A great and inspiring story.”  —Marty Balin, founder of Jefferson Airplane “Illuminating, astounding, and accurate, Fare Thee Well is a remarkable account of the successes and failures by the talented, individualist remaining members of the Grateful Dead since the death of their leader, Jerry Garcia.”  —Steve Miller, founder of the Steve Miller Band Fare Thee Well is a masterful summation of the agonies, trials, and tribulations that beset the Grateful Dead after Jerry Garcia passed away.” —Sam Cutler, author of You Can’t Always Get What You Want: My Life with the Rolling Stones, the Grateful Dead, and Other Wonderful Reprobates “As always, Joel Selvin boldly goes where others fear to tread.”  —Robert Greenfield, author of Dark Star: An Oral Biography of Jerry Garcia “An enthusiastic but clear-eyed and enjoyably gossipy piece of modern rock history.”  ―Publishers Weekly Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock’s Darkest Day “Boy, did I live in a bubble—or something. I had no idea the extent of bruising under the melting rainbow. Selvin is revealing our tricky gestation in the weird womb of sixties rock. Frightening.”  —Grace Slick, member of Jefferson Airplane  “An account that moves at movie pace, Selvin cuts through woolly cop-out rhetoric, offering clarity and detail . . . Altamont was a tragedy in the classical sense—a disaster born of hubris and folly—and Selvin nails every last shred of both.”  —Mojo Magazine “An incisive account of the most infamous concert debacle in rock history. . . . This book provides context and perspective, showing the sea change in rock that was taking place as the Rolling Stones attempted to reassert themselves amid the increasing dominance of San Francisco psychedelia and the spirit of Woodstock. . . . Compelling.”  —Kirkus Reviews (Starred Review) “Selvin’s presentation of Altamont busts the myth of innocence lost; in fact, Altamont just made the reality harder to ignore.”  —Publishers Weekly Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues “Selvin’s tale . . . rights a historical injustice, shining a light on an overshadowed great man and deepening our understanding of a history we continue to dance to.”  —New York Times “Selvin makes the case that borderline-shady characters like Berns have always cast a big shadow over pop.”  —Rolling Stone “Again and again, Selvin brings forgotten recording sessions that any other chronicler would have ignored to such stirring life that they validate not only the story he has to tell but the worth of Berns’s own life. . . . Selvin lets you feel the contingency of the moment, how everything that happened—this inflection, that hesitation—could have turned out completely differently, and led to nothing.”  —Greil Marcus, Believer “Berns is simply a hook for a larger history of the business of rhythm and blues in the 1960s. Here Comes the Night paints this milieu—unscrupulous businessmen shilling teenybopper hits.”  —Los Angeles Review of Books “Here Comes the Night makes a strong case for Berns as the consummate record man, not just another white guy trolling the world of NYC independent R&B looking for a buck but a passionate believer in music. . . . Selvin takes a labyrinthine tale involving hundreds of characters and tames it. . . . It’s as classic a ’60s music story as any. And Selvin tells it with period-appropriate style.” —Mojo, Four-Star Review “Joel Selvin’s new book makes a claim to greatness. In the world of glaringly and exhaustively over-examined star bios, the San Francisco–based journalist not only exhumes a lost soul in the pantheon of ’60s pop and soul (along with capturing rock ’n’ roll’s burgeoning eruption), he also creates as engaged and energetic a narrative as any so-called serious writing can contain.”  —Paste Magazine “A compelling biography of a man who wrote and produced records in a fever. It’s also an unvarnished account of the often-sordid world of East Coast music publishers, tunesmiths, record hustlers, label executives, gamblers, studio engineers, rack-jobbers, dee jays, and leg breakers.”  —DownBeat Magazine “A vivid, character-filled picture of the wild west atmosphere of the New York music biz, often branching out into narrative detours that are consistently entertaining and enlightening.”  —Austin Chronicle “Selvin chronicles in delicious detail the golden era of the early 1960s rhythm and blues music scene and the turbulent, hard-knuckle world of record-making behind the glitzy, gold foil facade of rock and roll success and glamor.”  —Cleveland Plain Dealer “Joel Selvin has written a book whose prose is so alive, it begs to be read out loud.”  —Goldmine Magazine “A thrilling story of a little-known songwriter and record producer of some of the greatest rhythm and blues hits. Longtime San Francisco Chronicle music critic Selvin digs with gusto into the tasty history of New York City’s hit-making songwriters, artists, and record magnates of the great R&B era of the early 1960s. . . . Selvin’s prose, muscular and Runyon-esque and never taking itself too seriously, moves the narrative along from its upbeat start to its sordid denouement at the edges of New York’s gangland. A fascinating time capsule of a freewheeling era in American music.”  —Kirkus Reviews Summer of Love: The Inside Story of LSD, Rock & Roll, Free Love and High Times in the Wild West “Selvin spins out stories like an acid-age papa unraveling counterculture legends around the old electronic campfire. Warm, human, knowing and funny, this is no flashback—it’s a trip.” —Dave Marsh, Rolling Stone “[A] defining rock-culture book. If you want to know what it was really like to live in the Sixties, this is the one to read.” —Stephen King “If you want to know how the San Francisco music scene developed, Joel tells you.” —Jerry Garcia"

Author Information

Joel Selvin a San Francisco–based music critic and author known for his weekly column in the San Francisco Chronicle, which ran from 1972 to 2009. Selvin has written more than 20 books covering various aspects of pop music—including the No. 1 New York Times bestseller Red: My Uncensored Life in Rock with Sammy Hagar—and published articles in Rolling Stone, the Los Angeles Times, Billboard, and Melody Maker. He has written liner notes for dozens of recorded albums and appeared in countless documentaries. His most recent books are Sly and the Family Stone: An Oral History and Hollywood Eden: Electric Guitars, Fast Cars and the Myth of the California Paradise.

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