Macbeth

Author:   Nicolas Tredell
Publisher:   Bloomsbury Publishing PLC
Edition:   2006 ed.
ISBN:  

9781403999245


Pages:   192
Publication Date:   15 May 2006
Format:   Hardback
Availability:   Out of stock   Availability explained


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Macbeth


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Overview

This guide provides a survey of the wide range of responses to Macbeth, as well as the key debates and developments from the 17th century to the present day. Chronologically structured, the guide summarizes and assesses key interpretations, sets them in context and supplies extracts from criticism which exemplify critical positions.

Full Product Details

Author:   Nicolas Tredell
Publisher:   Bloomsbury Publishing PLC
Imprint:   Red Globe Press
Edition:   2006 ed.
Dimensions:   Width: 13.80cm , Height: 1.70cm , Length: 21.60cm
Weight:   0.370kg
ISBN:  

9781403999245


ISBN 10:   1403999244
Pages:   192
Publication Date:   15 May 2006
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Out of Print
Availability:   Out of stock   Availability explained

Table of Contents

Acknowledgements Note on the Text Introduction The Seventeenth to the Late Eighteenth Century: The Development of Macbeth Criticism The Nineteenth Century: Romantic and Victorian Macbeth The Early Twentieth Century: Tragedy, Psychoanalysis and Imagery The Mid-Twentieth Century: History, Manhood, the Naked Babe, Nature and Evil The Later Twentieth Century: History, Tragedy, Violence and Ideology The Later Twentieth Century: Language, Subjectivity, and Subversion The Later Twentieth Century: Men, Women and Witches Conclusion: The Twenty-First Century: Future Directions Select Bibliography Select Filmography Index.

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Author Information

NICOLAS TREDELL is Consultant Editor of the Palgrave Macmillan Readers' Guides and has produced five Guides for the series. He has published widely on literary criticism and theory - his previous publications include The Critical Decade (1993), Conversations with Critics (1994) and a history of film theory, Cinemas of the Mind (2002). For many years he has taught and convened Sussex University literature courses, most recently on Shakespeare.

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