Overview

There is no evidence for explicit vernacular poetics within the early ""Meistergesang"" of the 14th and 15th century. While institutionally organised ""Meistersinger"" created a normative literary genre by using tablatures, the poetology of the early anonymous ""Meistergesang"" can only be deduced from the poetry itself. The normativity of poetological compositions rejects the idea of a notional standard. This abstract norm, which is versified in the poem or rather extracted from it, is replaced by the poem itself. The present study edits and analyses ""Bare"", created between 1350 and 1520, that incorporate several forms of reflection such as poetical language, the idea of poets as craftsmen, artworks of versification, or content specific types of ""Lieder"". By proper editing, the study aims to render the early ""Meistergesang"" more accessible, comprehensible, and applicable to categories. Moreover, the goal is to label the early ""Meistergesang"" a distinct part of the ""Meistersinger"" tradition. As a result, the study identifies generic, linguistic, and metaphoric features of the ""Meistergesang's"" poetology.

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9783752005851

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Contributor Biography - English Anabel Recker (*1986) studied german philology and philosophy in Munster and Hamburg. In 2018 she completed her PhD in German medieval studies at the Universitat Hamburg. Since 2019 she works as a research associate at Georg-August-Universitat Gottingen. Her research engages mainly in Sangspruchdichtung and Meistergesang, Scholarly Editing in Digital and Print and Middle Low German Literature. Contributor Biography - German Anabel Recker, geb. 1986, hat Germanistik und Philosophie in Munster und Hamburg studiert. Von 2015-2018 promovierte sie im Rahmen eines Doktorandenstipendiums des Doktorandenkollegs Geisteswissenschaften an der Universitat Hamburg im Fach Germanistische Mediavistik. Seit 2019 arbeitet sie als wissenschaftliche Mitarbeiterin an der Georg-August-Universitat Gottingen. Ihre Forschungsschwerpunkte liegen im Bereich der Sangspruchdichtung und dem Meistergesang, der Editionsphilologie und der mittelniederdeutschen Literatur.

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