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9781617032356

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No one renders girlhood or reanimates memory like Lynda Barry. Susan Kirtley's new book makes a thoroughly powerful argument for devoting critical attention to Barry's work, indeed for placing Barry close to the center of our consideration of autobiography, the literature of adolescence, and the graphic novel. As Kirtley so ably demonstrates, there are many sides to Lynda Barry's career, and <i>Lynda Barry: Girlhood through the Looking Glass</i> is the first place where they have been assembled with the critical synthesis they deserve. --Isaac Cates, Department of English, University of Vermont</p>

I thought I knew about Lynda Barry, until I read Susan Kirtley's Lynda Barry: Girlhood through the Looking Glass . In each chapter, Kirtley gives us new, provocative interpretations of such diverse Barry texts as the Naked Ladies! Naked Ladies! Naked Ladies! coloring book, The Good Times Are Killing Me play, the novel Cruddy and the graphic novel What It Is . Kirtley's writing--a combination of enviable clarity and the savvy application of narratology, comic art theory, and other ideas--does justice to Barry's kaleidoscopic take on troubled American girlhood. Anyone interested in Barry, female comics creators, or contemporary comics culture should read Kirtley's book. <br><br><br><br>--Craig Fischer, <br><br>Department of English, Appalachian State University

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Susan E. Kirtley is assistant professor of English at Portland State University. Her work has been published in Rhetoric Review, Academic Exchange Quarterly, and Exit 9: The Rutgers Journal of Comparative Literature.

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