Overview

Bach's St. John Passion is surely one of the monuments of Western music, yet performances of it are inevitably controversial. In large part, this is because of the combination of the powerful and highly emotional music and a text that includes passages from a gospel marked by vehement anti-Judaic sentiments. What did this masterpiece mean in Bach's day and what does it mean today? Although bibliographies on Bach and Judaism have grown enormously since World War II, there has been very little work on the relationship between the two areas. This is hardly surprising; Judaica scholars and culture critics focusing on issues of anti-Semitism commonly lack musical training and are, in any event, quite reasonably interested in even more pressing social and political issues. Bach scholars, on the other hand, have mostly concentrated on narrowly defined musical topics. Strangely, therefore, almost no scholarly attention has been given to relationships between Lutheranism and the religion of Judaism as they affect Bach's most controversial work, the St. John Passion. Through a reappraisal of Bach's work and its contexts, Marissen confronts Bach and Judaism directly, providing interpretive commentary that could serve as a basis for a more informed and sensitive discussion of this troubling work. Consisting of a long interpretive essay, followed by an annotated literal translation of the libretto, a guide to recorded examples, and a detailed bibliography, this concise text provides the reader with the tools to assess the work on its own terms and in the appropriate context.

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9780195114713

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Reviews

The value of having the libretto, German and English, printed after the essay part of the book, quite apart from the supplementary and supporting material, is considerable Jewish Culture and History Particularly deserving of praise is the fine translation of the Passion text from German Religious Studies Review

The value of having the libretto, German and English, printed after the essay part of the book, quite apart from the supplementary and supporting material, is considerable Jewish Culture and History Particularly deserving of praise is the fine translation of the Passion text from German Religious Studies Review

""The most important and lasting item to have emerged from this Passion season...may turn out to be a little book of great complexity by Michael Marissen....[It] provides a model of how to deal with a piece of music grown controversial: not through avoidance, not through bowdlerization, but by supplying the richest and most provocative context in which to understand and interpret the work.""--James R. Oestriech, The New York Times ""An excellent interpretive essay....Marissen provides valuable historical and theological context for both the text and the music.""--Choice ""A remarkable book and unusually even-handed treatment of a difficult topic.""--E. Ann Matter, University of Pennsylvania ""The most important and lasting item to have emerged from this Passion season...may turn out to be a little book of great complexity by Michael Marissen....[It] provides a model of how to deal with a piece of music grown controversial: not through avoidance, not through bowdlerization, but by supplying the richest and most provocative context in which to understand and interpret the work.""--James R. Oestriech, The New York Times ""An excellent interpretive essay....Marissen provides valuable historical and theological context for both the text and the music.""--Choice ""A remarkable book and unusually even-handed treatment of a difficult topic.""--E. Ann Matter, University of Pennsylvania ""Without blaming the Jews either as a religion or as a people, Bach's Saint John Passion gives a clear answer to the question, 'Who killed Christ?'""--Religious Studies Review ""...the book provides material for sustained conversations, an ongoing learning experience, a literal understanding of the text, and skillful musical exegesis.""--Journal of Religion

Author Information

Michael Marissen is Associate Professor of Music at Swarthmore College. His publications include The Social and Religious Designs of J.S. Bach's Brandenburg Concertos (1995) and An Introduction to Bach Studies, with Daniel Melamed (Oxford 1998).

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