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Overview"In this volume, an author combines interpretations of individual works which go into issues of composition and musical history, instead of merely duplicating in words what can already be read in the scores, with excursions into the musical aesthetics of the period around 1800 - an age which was not only a ""classical"" period in the history of the arts but also one in which aesthetics carved itself a place in the centre of philosophical attention. The theme of the book is the reconstruction of Beethoven's ""musical thinking"" from the evidence in the works themselves and their context in the history of ideas." Full Product DetailsAuthor: Carl Dahlhaus , Mary WhittallPublisher: Oxford University Press Imprint: Clarendon Press Dimensions: Width: 15.00cm , Height: 2.40cm , Length: 23.00cm Weight: 0.690kg ISBN: 9780198161486ISBN 10: 0198161484 Pages: 282 Publication Date: 01 July 1991 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"Life and work' personal style and the individuality of single works; ""Ingenium"" and ""Witz""; the symphonic style; issues in sonata form; theme and character; the ""underlying idea""; form as idea; the ""new path""; ""Fidelio""; church music and the religion of art; subthematicism' late works."ReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |