Overview

From birth to death, we care and are cared for by others. Yet we rarely acknowledge care except when it fails. In Love, Money, Duty, Rachel Adams examines the stories we tell about care, those who do the work, and those who depend on it. These narratives, she argues, help us better understand our complicated feelings about care and the obligations that come with it. Combining insightful and compassionate readings of writers and artists with stories of her own experiences, Adams analyzes the work, feelings, and ethical dilemmas associated with care, including unwelcome emotions such as boredom, resentment, exhaustion, and disgust. From the universal dependence of infancy to elder care and from the intimacy of home and family to institutions like hospitals, nursing facilities, and asylums, Love, Money, Duty considers our ambivalence about vulnerability and need and how it is shaped by capitalism, race, and gender. Drawing from moral philosophy, gender and queer theory, critical race and disability studies, and health humanities, Adams treats care as a form of work, a feeling, an ethic, and an art. Exploring the radical possibilities of care and the devastating consequences of its failure, this book invites listeners to appreciate care that works, recognizing the creativity and resourcefulness of dependent people and their caregivers.

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Rachel Adams is the founder and executive director of the African Observatory on Responsible AI. She sits on the UNESCO Expert Committee for the implementation of the UNESCO Recommendation on the Ethics of Artificial Intelligence, the AI Safety and Ethics Committee of the Bill and Melinda Gates Foundation, and the Multistakeholder Expert Group of the Global Partnership on AI. She is also an associate fellow at the Leverhulme Centre for the Future of Intelligence at the University of Cambridge and at the Faculty of Medicine at the University of Cape Town. Emily Sutton-Smith is a professional actress and one of the cofounders of an Equity theater in central Michigan. Her stage credits include Out of Orbit; Doublewide; Summer Retreat; Too Much, Too Much, Too Many; Miracle on South Division Street; End Days; The Usual: A Musical Love Story; The Smell of the Kill; The Effect of Gamma Rays on Man-In-The-Moon Marigolds; Maidens, Mothers and Crones; and Additional Particulars. A New York City native, she has worked onstage at almost all the Equity theaters in Michigan, including the Williamston Theatre, the Purple Rose Theatre, Performance Network Theatre, Tipping Point Theatre, the Detroit Rep, the Jewish Ensemble Theatre, and MeadowBrook Theatre. Emily is a proud member of the Actors' Equity Association and SAG/AFTRA. Her film and TV credits include The Funeral Guest, Gifted Hands, Butterfly Effect: Revelation, The Prince of Motor City, and Nevermore. Emily studied acting at the Atlantic Theatre Company in New York City, and holds a Grande Diploma in Pastry Arts from the French Culinary Institute. She received her Master of Fine Arts degree from Michigan State University.

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