‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes

Author:   Graham Saunders ,  Kim Latham ,  Maggie B. Gale ,  Peter Lichtenfels
Publisher:   Manchester University Press
ISBN:  

9780719059568


Pages:   224
Publication Date:   25 April 2002
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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‘Love Me or Kill Me’: Sarah Kane and the Theatre of Extremes


Overview

Her play, ""Blasted"", brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Based on conversations with directors, actors and others who knew her, this book studies the British post-war dramatist, covering all Kane's major plays and productions, as well as hitherto unpublished material and reviews. It also looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the ""new wave"" of emergent British dramatists in the 1990s, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.

Full Product Details

Author:   Graham Saunders ,  Kim Latham ,  Maggie B. Gale ,  Peter Lichtenfels
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 13.80cm , Height: 1.20cm , Length: 21.60cm
Weight:   0.263kg
ISBN:  

9780719059568


ISBN 10:   0719059569
Pages:   224
Publication Date:   25 April 2002
Audience:   College/higher education ,  Professional and scholarly ,  General/trade ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

'This is a pioneering book that will have a marked influence of all subsequent Sarah Kane studies. Graham Saunders has spoken to directors, actors and others who worked with her and knew her intimately. You can hear the rustle of draft scripts, feet in rehearsal rooms, the coffee cups of students discussing late into the night. It is astonishing to read such intimate accounts of a woman who became a public icon in her short life... This is not a sycophantic book, its judgements are balanced - and that makes us realise all the more what we have lost. It was one little death, but theatre will need a crowd of brilliant writers to take her place - if even then.' Edward Bond


Author Information

Graham Saunders is a lecturer in Theatre Studies at the University of the West of England

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