Overview
Exploring how the Bloomsbury Group’s cutting-edge thinkers—Virginia Woolf, Sigmund Freud, and E. M. Forster—understood the intimacy of friends, lovers, spouses, and families as historically unfolding phenomena, this book offers a compelling account of modernism’s legacies in contemporary fiction and demonstrates the myriad ways in which intimacy was a guiding and persistent idea explored by writers across the 20th-century and up to the present day. Often modernists have been celebrated for their insights into social and civilizational sickness but this book unearths a strain of modernist thought that is more complex and inspiring than this. It discusses how Bloomsbury’s thinkers wrestled with the question “Does intimate life improve?” as sexual egalitarianism expands, as taboos against same-sex love, interracial love, and singlehood wane, and as parents and children relate less formally and often more warmly toward one another. And it discusses how many of today’s major novelists, such as Salman Rushdie, Zadie Smith, Ian McEwan and Rachel Cusk, look to Bloomsbury’s thematic and formal examples when they reformulate this question for our time.
Full Product Details
Author: Jesse Wolfe (California State University Stanislaus, USA)
Publisher: Bloomsbury Publishing PLC
Imprint: Bloomsbury Academic
Dimensions:
Width: 15.60cm
, Height: 2.50cm
, Length: 23.40cm
Weight: 0.454kg
ISBN: 9781350328860
ISBN 10: 1350328863
Pages: 272
Publication Date: 25 July 2024
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
Jesse Wolfe's important new book offers a convincing reconsideration of the Bloomsbury Group's impact on the contemporary novel and, more broadly, on the freedom to live and love in fulfilling ways. Love, Friendship and Narrative Form After Bloomsbury makes a compelling argument for the continuing vitality of the modernist paradigm: as solace, as exemplar, and as inspiration. Through nuanced readings of works by Rachel Cusk, Michael Cunningham, Zadie Smith and others, Wolfe mounts a persuasive sociological argument for the capacity of the contemporary novel to enlarge its readers' emotional intelligence. The book risks asking if the expanded - and hard-fought -- sexual freedoms of the post-Freudian era have made us happier? and answers with a resounding affirmative. In Wolfe's hands, the contemporary novel, inspired by the inventions of Bloomsbury modernism, is recast as nothing less than a guide to private life, past and present - and to future possibilities, as well. * Victoria Rosner, Professor and Dean of The Gallatin School of Individualized Study, New York University, USA * Engrossing and stimulating, Wolfe's Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History is that rare breed of book which simultaneously informs, discovers, and enchants. Boldly bridging times and media, it focuses on the legacy of the innovation in the understanding and representation of intimacy that the Bloomsbury Group and its co-travellers bequeathed to intellectual and social history. As the Bloomsbury public and private sphere interventions (interracial, same-sex, and polyamorous forms of intimacy and challenging of amatonormative values) and correlative transformations in narrative form changed the modes in which we perceive and articulate intimacy through lenses of despair and hope, they made the future generations of artists and audiences appreciate the impact of historical forces on intimate feelings and relationships and our creative capacities to engage with and alter these forces. Wolfe's book focuses on these dialogues with fervour and rigour. Texts by Rachel Cusk, Zadie Smith, Michael Cunningham, Pat Barker, and Salman Rushdie receive sparkling readings when emplaced in metamodernist, 'metabloomsbury' contexts; in turn, modernists texts by Wolf, Forster, Freud, Lawrence, and Joyce reappear in a fresh light and with new urgency. Sweeping across the arcs of social history and thinking about intimacy in the long twentieth century, and adroitly shifting between vast sociological vistas and close textual analyses, Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History revisions the position and real-world impact of the creative interventions in the discourse of intimacy in the ways that appear both hermeneutically useful and socially necessary. -- Professor Sanja Bahun, University of Essex, UK
Jesse Wolfe's important new book offers a convincing reconsideration of the Bloomsbury Group's impact on the contemporary novel and, more broadly, on the freedom to live and love in fulfilling ways. Love, Friendship and Narrative Form After Bloomsbury makes a compelling argument for the continuing vitality of the modernist paradigm: as solace, as exemplar, and as inspiration. Through nuanced readings of works by Rachel Cusk, Michael Cunningham, Zadie Smith and others, Wolfe mounts a persuasive sociological argument for the capacity of the contemporary novel to enlarge its readers' emotional intelligence. The book risks asking if the expanded - and hard-fought -- sexual freedoms of the post-Freudian era have made us happier? and answers with a resounding affirmative. In Wolfe's hands, the contemporary novel, inspired by the inventions of Bloomsbury modernism, is recast as nothing less than a guide to private life, past and present - and to future possibilities, as well. --Victoria Rosner, Professor and Dean of The Gallatin School of Individualized Study, New York University, USA
Author Information
Jesse Wolfe is a Professor of English at California State University Stanislaus, USA and is the author of Bloomsbury, Modernism, and the Reinvention of Intimacy.
