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OverviewLove Dances: Loss and Mourning in Intercultural Collaboration explores global relationality within the realm ofintercultural collaboration in contemporary dance. Author SanSan Kwan looks specifically at duets, focusing on ""East"" ""West"" pairings, and how dance artists from different cultural and movement backgrounds -Asia, the Asian diaspora, Europe, and the United States; trained in contemporary dance, hip hop, flamenco, Thai classical dance, kabuki, and butoh - find ways to collaborate. Kwan acknowledges the forces of dissension, prejudice, and violence present in any contact zone, but ultimately asserts that choreographic invention across difference can be an act of love in the face of loss and serve as a model for difficult, imaginative, compassionate global affiliation. Love Dances contends that the practice and performance of dance serves as a revelatory site for working across culture. Body-to-body interaction on the stage carries the potential to model everyday encounters across difference in the world. Full Product DetailsAuthor: SanSan Kwan (Associate Professor, Department of Theater, Dance, and Performance Studies, Associate Professor, Department of Theater, Dance, and Performance Studies, University of California, Berkley)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 24.10cm , Height: 1.00cm , Length: 15.70cm Weight: 0.227kg ISBN: 9780197514566ISBN 10: 0197514561 Pages: 138 Publication Date: 22 November 2021 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsReviews""Wrought from personal tragedy, SanSan Kwan's poignant Love Dances focuses on the ways intercultural duets model ethical modes for reaching across cultural, racial, national, gendered, and aesthetic divides to destabilize power dynamics between East and West, address trauma and loss, engender tolerance, and most radically, constitute embodied acts of love. Beautifully written, deftly theorized, and deeply moving."" -- Rebecca Rossen, author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance ""Simultaneously heartfelt and critical, Love Dances provides a nuanced analysis of intercultural duets. Through vivid and compelling prose, Kwan mobilizes emotion as a means of rethinking collaboration across the divides of race, gender, sexuality, citizenship, age, and ability. In the process, Kwan reframes not only the promises and pitfalls of intercultural collaboration but also the crises of our current economic and political moment."" -- Janet O'Shea, author of Risk, Failure, Play: What Dance Reveals about Martial Arts Training Wrought from personal tragedy, SanSan Kwan's poignant Love Dances focuses on the ways intercultural duets model ethical modes for reaching across cultural, racial, national, gendered, and aesthetic divides to destabilize power dynamics between East and West, address trauma and loss, engender tolerance, and most radically, constitute embodied acts of love. Beautifully written, deftly theorized, and deeply moving. -- Rebecca Rossen, author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance Simultaneously heartfelt and critical, Love Dances provides a nuanced analysis of intercultural duets. Through vivid and compelling prose, Kwan mobilizes emotion as a means of rethinking collaboration across the divides of race, gender, sexuality, citizenship, age, and ability. In the process, Kwan reframes not only the promises and pitfalls of intercultural collaboration but also the crises of our current economic and political moment. -- Janet O'Shea, author of Risk, Failure, Play: What Dance Reveals about Martial Arts Training """Wrought from personal tragedy, SanSan Kwan's poignant Love Dances focuses on the ways intercultural duets model ethical modes for reaching across cultural, racial, national, gendered, and aesthetic divides to destabilize power dynamics between East and West, address trauma and loss, engender tolerance, and most radically, constitute embodied acts of love. Beautifully written, deftly theorized, and deeply moving."" -- Rebecca Rossen, author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance ""Simultaneously heartfelt and critical, Love Dances provides a nuanced analysis of intercultural duets. Through vivid and compelling prose, Kwan mobilizes emotion as a means of rethinking collaboration across the divides of race, gender, sexuality, citizenship, age, and ability. In the process, Kwan reframes not only the promises and pitfalls of intercultural collaboration but also the crises of our current economic and political moment."" -- Janet O'Shea, author of Risk, Failure, Play: What Dance Reveals about Martial Arts Training" Wrought from personal tragedy, SanSan Kwan's poignant Love Dances focuses on the ways intercultural duets model ethical modes for reaching across cultural, racial, national, gendered, and aesthetic divides to destabilize power dynamics between East and West, address trauma and loss, engender tolerance, and most radically, constitute embodied acts of love. Beautifully written, deftly theorized, and deeply moving. * Rebecca Rossen, author of Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance * Simultaneously heartfelt and critical, Love Dances provides a nuanced analysis of intercultural duets. Through vivid and compelling prose, Kwan mobilizes emotion as a means of rethinking collaboration across the divides of race, gender, sexuality, citizenship, age, and ability. In the process, Kwan reframes not only the promises and pitfalls of intercultural collaboration but also the crises of our current economic and political moment. * Janet O'Shea, author of Risk, Failure, Play: What Dance Reveals about Martial Arts Training * Author InformationSanSan Kwan is Associate Professor in the Department of Theater, Dance, and Performance Studies at UC Berkeley. She is the author of Kinesthetic City: Dance and Movement in Chinese Urban Spaces (2013) and co-editor, with Kenneth Speirs, of Mixing It Up: Multiracial Subjects (2004). She remains active as a professional dancer and is currently performing with Lenora Lee Dance. Tab Content 6Author Website:Countries AvailableAll regions |