Overview

American composer Lou Harrison (1917-2003) is perhaps best known for challenging the traditional musical establishment along with his contemporaries and close colleagues: composers John Cage, Aaron Copland, Virgil Thomson, and Leonard Bernstein; Living Theater founder, Judith Malina; and choreographer, Merce Cunningham. Today, musicians from Bang on a Can to Bjoerk are indebted to the cultural hybrids Harrison pioneered half a century ago. His explorations of new tonalities at a time when the rest of the avant garde considered such interests heretical set the stage for minimalism and musical post-modernism. His propulsive rhythms and ground-breaking use of percussion have inspired choreographers from Merce Cunningham to Mark Morris, and he is considered the godfather of the so-called ""world music"" phenomenon that has invigorated Western music with global sounds over the past two decades. In this biography, authors Bill Alves and Brett Campbell trace Harrison's life and career from the diverse streets of San Francisco, where he studied with music experimentalist Henry Cowell and Austrian composer Arnold Schoenberg, and where he discovered his love for all things non-traditional (Beat poetry, parties, and men); to the competitive performance industry in New York, where he subsequently launched his career as a composer, conducted Charles Ives's Third Symphony at Carnegie Hall (winning the elder composer a Pulitzer Prize), and experienced a devastating mental breakdown; to the experimental arts institution of Black Mountain College where he was involved in the first ""happenings"" with Cage, Cunningham, and others; and finally, back to California, where he would become a strong voice in human rights and environmental campaigns and compose some of the most eclectic pieces of his career.

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Reviews

A superb new biography -Alex Ross, The New Yorker Lou Harrison's avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell's new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Henry Cowell and Arnold Schoenberg and Charles Ives and Harry Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well. -Kyle Gann, author of Charles Ives's Concord: Essays After a Sonata I studied with Lou Harrison, and he provided my first up-close exposure to world music, to different tuning systems, and to a real live member of the pantheon of American experimental music. I highly recommend this exhaustively researched book, which clearly captures his personality and life: his states of mind, his sexuality, his self-awareness and self-questioning, his journey from young, under-employed composer to lauded master. -David Lang, Pulitzer Prize-winning composer

Readers who are willing to take a deep dive will be well rewarded. Harrison's life story was an inspiring one, as Alves and Campbell demonstrate.... Through the authors' research, we see the complex network of connections between composers-the camaraderie, and the occasional infighting and drama. -4Columns I studied with Lou Harrison, and he provided my first up-close exposure to world music, to different tuning systems, and to a real live member of the pantheon of American experimental music. I highly recommend this exhaustively researched book, which clearly captures his personality and life: his states of mind, his sexuality, his self-awareness and self-questioning, his journey from young, under-employed composer to lauded master. -David Lang, Pulitzer Prize-winning composer Lou Harrison's avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell's new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Henry Cowell and Arnold Schoenberg and Charles Ives and Harry Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well. -Kyle Gann, author of Charles Ives's Concord: Essays After a Sonata An illuminating and engrossing new biography -Los Angeles Times A superb new biography -Alex Ross, The New Yorker

Lou Harrison's avuncular personality and tuneful music coaxed affectionate regard from all who knew him, and that affection is evident on every page of Alves and Campbell's new biography. Eminently readable, it puts Harrison at the center of American music: he knew everyone important and was in touch with everybody, from mentors like Cowell and Schoenberg and Ives and Partch and Virgil Thomson to peers like John Cage to students like Janice Giteck and Paul Dresher. He was larger than life in person, and now he is larger than life in history as well. -Kyle Gann, author of Charles Ives's Concord: Essays After a Sonata

Author Information

Bill Alves is a southern California composer of acoustic and electronic microtonal music, music for gamelan, video, and other works. He is the author of Music of the Peoples of the World and his discs are available from MicroFest Records, Spectral Harmonies, and Kinetica Video Library. He teaches at Harvey Mudd College at the Claremont Colleges, where he directs the American gamelan. Brett Campbell writes frequently about music and other arts for Oregon ArtsWatch, The Wall Street Journal, San Francisco Classical Voice, and many other publications. He teaches journalism at Portland State University and performs in Venerable Showers of Beauty gamelan ensemble, based at Lewis and Clark College in Lou Harrison's hometown of Portland, Oregon.

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