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Alec Dempster draws without fear. His gutsy woodcuts are infused with a profound respect for Mexican culture.'--Kevin McCloskey Illustration Concentration

I highly recommend this book to all relief printmakers. Beyond the enjoyment of the images as a whole, and the opportunity to learn about the history and culture, the expressive nature of the renderings is engaging. The dynamic backgrounds and patterning may serve as a primer for carving and choices in the black and white dance of woodcuts. These qualities make this an important book to use as a cultural and carving reference for years to come.' - Sarah Whorf - Block & Burin Alec Dempster draws without fear. His gutsy woodcuts are infused with a profound respect for Mexican culture.' - Kevin McCloskey - Illustration Concentration This is celebration sincere and genuine, an appreciation by an artist whose love for his art and for his subject shines through every print Categorizing Alec Dempster's Loter?a Huasteca as an art book is tricky. Nominally a book of themed woodblock prints based on an eastern Mexican subculture, the book's scope is actually far broader. It stretches beyond the merely visual, incorporating history, music, mythology, and even food into a creation that reads more like a tour de force than an artistic collection. While the theme of this collection is the culture of the Huasteca region of eastern Mexico, the lens through which Dempster views it adds layers of interpretation to his work. His organizational principle is the loter?a, an ancient game originally played in Italy and Spain and still played in Mexico. Using a complicated system of cards, luck, and almost arcane traditional interpretations of symbols, it performs the magic trick of producing money from nowhere, generally for charitable causes. Likewise, the cards that Dempster has created, as well as the brief explanations that accompany each one, evoke awe and resonance. It is impossible to read this book without coming away richer in understanding of an old and beautiful corner of the world. Dempster's visual work is deeply complex, its individual subjects ranging from innocuous-seeming representations of ordinary life to symbols recalling Jungian archetypes. Though the accompanying text enriches their connection to Huasteca culture, particularly for audiences who might not be personally familiar with the region, the prints also stand on their own quite well. In addition to the contrast of stark black and white, Dempster's work constantly joins aggressive angles with flowing lines in an active, almost dance-like synergy. In fact, the images evoke music both overtly and subtly. This is a book with a soundtrack of guitars, tambores, and violins. With a bare few words and a strong musician presence in the artwork itself, the author implies that this culture is inseparable from its music, and vice versa. Just like with the relatively modern sensibilities of cane wine and the musical instrument the rabel, music is woven into Huasteca history and Huasteca history is woven into its mythology. Anyone who cracks the cover of this unique book can expect to find themselves seeking out the melodies that helped to inspire its creation. It is impossible to look at these prints and not be drawn in, desirous for more. Footnoted and lovingly researched, Loter?a Huasteca is a beautiful combination of the author's lived experience in eastern Mexico, his emotional impression of the Huasteca region, and his zealous self-education about the roots of the culture he celebrates. This is celebration sincere and genuine, an appreciation by an artist whose love for his art and for his subject shines through every print. Loter?a Huasteca reads like a tarot card spread of a vital, mythologically infused world. It's a land where poets cry out, -Let the music resume!- and a mighty cosmic caiman battles an even mightier corn god. Challenging, fascinating, and often deep, it is a glimpse into an intoxicatingly rich culture and a sure pick for those who appreciate art and for fans of Mexican cultures. - Anna Call - Foreword Reviews Alec Dempster draws without fear. His gutsy woodcuts are infused with a profound respect for Mexican culture.'--Kevin McCloskey Illustration Concentration This is celebration sincere and genuine, an appreciation by an artist whose love for his art and for his subject shines through every print Categorizing Alec Dempster's Loter?a Huasteca as an art book is tricky. Nominally a book of themed woodblock prints based on an eastern Mexican subculture, the book's scope is actually far broader. It stretches beyond the merely visual, incorporating history, music, mythology, and even food into a creation that reads more like a tour de force than an artistic collection. While the theme of this collection is the culture of the Huasteca region of eastern Mexico, the lens through which Dempster views it adds layers of interpretation to his work. His organizational principle is the loter?a, an ancient game originally played in Italy and Spain and still played in Mexico. Using a complicated system of cards, luck, and almost arcane traditional interpretations of symbols, it performs the magic trick of producing money from nowhere, generally for charitable causes. Likewise, the cards that Dempster has created, as well as the brief explanations that accompany each one, evoke awe and resonance. It is impossible to read this book without coming away richer in understanding of an old and beautiful corner of the world. Dempster's visual work is deeply complex, its individual subjects ranging from innocuous-seeming representations of ordinary life to symbols recalling Jungian archetypes. Though the accompanying text enriches their connection to Huasteca culture, particularly for audiences who might not be personally familiar with the region, the prints also stand on their own quite well. In addition to the contrast of stark black and white, Dempster's work constantly joins aggressive angles with flowing lines in an active, almost dance-like synergy. In fact, the images evoke music both overtly and subtly. This is a book with a soundtrack of guitars, tambores, and violins. With a bare few words and a strong musician presence in the artwork itself, the author implies that this culture is inseparable from its music, and vice versa. Just like with the relatively modern sensibilities of cane wine and the musical instrument the rabel, music is woven into Huasteca history and Huasteca history is woven into its mythology. Anyone who cracks the cover of this unique book can expect to find themselves seeking out the melodies that helped to inspire its creation. It is impossible to look at these prints and not be drawn in, desirous for more. Footnoted and lovingly researched, Loter?a Huasteca is a beautiful combination of the author's lived experience in eastern Mexico, his emotional impression of the Huasteca region, and his zealous self-education about the roots of the culture he celebrates. This is celebration sincere and genuine, an appreciation by an artist whose love for his art and for his subject shines through every print. Loter?a Huasteca reads like a tarot card spread of a vital, mythologically infused world. It's a land where poets cry out, Let the music resume! and a mighty cosmic caiman battles an even mightier corn god. Challenging, fascinating, and often deep, it is a glimpse into an intoxicatingly rich culture and a sure pick for those who appreciate art and for fans of Mexican cultures.--Anna Call Foreword Reviews

Author Information

Alec Dempster was born in Mexico City in 1971 but moved to Toronto as a child. In 1995 he moved back to Mexico and settled in Xalapa, Veracruz, where his relief prints eventually became infused with the local tradition of son jarocho music. Alec's conversations with rural musicians, presented along with thirty linoleum-block portraits, have been published recently as Faces and Voices of Son Jarocho. He has produced six CDs of son jarocho recorded in the field but is perhaps best known for his two loteria games - Loteria Jarocha, and Loteria Huasteca - which include over a hundred prints. He has had solo exhibitions in the United States, Canada, Mexico, France and Spain. Alec now lives in Toronto. His own son jarocho group, Cafe Con Pan, has recorded two CDs, the most recent being Nuevos Caminos a Santiago.

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