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OverviewThis radical new account reveals the central importance of the male performer in Australian public life, showing how the aspiring middle classes turned to actors to teach them public behaviour and political opinion, and how class divided high art and low comedy. While imperial Shakespeare drew in patrons, politicians and critics, vaudeville comedians upheld the right to a working-class Australia. When in 1970 public funding fuelled the rise of a high-art culture, a bevy of buffoons led a new assault to subvert it. Kath Leahy asks questions about why, even today, we still call for control of the public artist. Full Product DetailsAuthor: Kath LeahyPublisher: Currency House Inc Imprint: Currency House Inc Dimensions: Width: 15.50cm , Height: 2.20cm , Length: 23.70cm Weight: 0.674kg ISBN: 9780980563221ISBN 10: 0980563224 Pages: 256 Publication Date: 01 October 2009 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock ![]() The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |